References

Yvette Brui­j­nen and Paul Huys Janssen et al. De Vier Jaar­geti­j­den in de kunst van de Ned­er­lan­den 1500 – 1750. Exh. cat. Noord­bra­bants Muse­um, ​‘s-Her­to­gen­bosch, and Stedelijk Muse­um Van­der Kelen-Mertens, Leu­ven, 2002 – 03.

Clif­ford S. Ack­ley. ​“Two Unpub­lished Draw­ings by Jacques de Gheyn.” Mas­ter Draw­ings 53:4 (2015), 435 – 38.

Bernard Aike­ma, ed. W. Schellinks fecit: Viag­gio al Sud, 1664 – 1665 / Jour­ney to the South, 1664 – 1665. Rome: Edi­zioni dell’Elefante, 1983.

Christi M. Klink­ert and Yvonne Bley­erveld et al. Allart van Everdin­gen: Mas­ter of the Rugged Land­scape 1621 – 1675. Exh. cat. Stedelijk Muse­um, Alk­maar, 2021.

Eva Jeney Allen. The Life and Art of Pieter Molyn. Ph.D. dis­ser­ta­tion, Uni­ver­si­ty of Mary­land, 1987.

Stijn Alsteens and Hans Buijs. Paysages de France: Dess­inés par Lam­bert Doomer et les artistes hol­landais et fla­mands des XVIe et XVIIe siè­cles. Paris: Fon­da­tion Cus­to­dia, 2008.

Stijn Alsteens. Review of The Atlas Blaeu-Van der Hem in the Aus­tri­an Nation­al Library by Erlend de Groot and Peter van den Krogt. Mas­ter Draw­ings 48:1 (2010), 105 – 20.

Stijn Alsteens. ​‘An Ear­li­er Ver­sion of the Metropolitan’s View of Tivoli by Bartholomeus Breen­bergh.’ Mas­ter Draw­ings 53:4 (2015), 443 – 50.

Adri­ano Amen­dola. ​“Paolo Gior­dano II Orsi­ni collezion­ista di dis­eg­ni. Novità su Paul Bril, Bartholomeus Breen­bergh, Simon Vouet, Francesco Salvi­ate e altri antichi maestri.” Bol­let­ti­no d’arte 22 – 23 (2014), 135 – 50.

Pieter van den Brink and Jaap van der Veen. Jacob Backer (1608/9 – 1651). Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, and Suer­mondt-Lud­wig-Muse­um, Aachen, 2008 – 09.

J.F. Hei­jbroek et al. Met Huy­gens op reis: Tekenin­gen en dag­boe­knoti­ties van Con­stan­ti­jn Huy­gens jr. (1628 – 1697), sec­re­taris van stad­houd­er-kon­ing Willem III. Exh. cat. Rijk­sprentenk­abi­net, Ams­ter­dam, and Muse­um voor Schone Kun­sten, Ghent, 1982 – 83.

Bart Cor­nelis and Mar­i­jn Schapel­houman. Adri­aen van de Velde: Dutch Mas­ter of Land­scape. Exh. cat. Rijksmu­se­um, Ams­ter­dam, and Dul­wich Pic­ture Gallery, Lon­don, 2016 – 17.

Frits Scholten et al. Willem van Tetrode, Sculp­tor (c. 1525 – 1580) / Gugliel­mo Fiammin­go Scul­tore. Exh. cat. Rijksmu­se­um, Ams­ter­dam, and Frick Col­lec­tion, New York, 2003.

Boudewi­jn Bakker et al. Land­scapes of Rem­brandt: His Favourite Walks. Exh. cat. Gemeen­tearchief, Ams­ter­dam, and Insti­tut Néer­landais, Paris, 1998 – 99.

Jane Shoaf Turn­er and Robert-Jan te Rijdt et al. Home and Abroad: Dutch and Flem­ish Land­scape Draw­ings from the John and Marine van Vlissin­gen Art Foun­da­tion. Exh. cat. Rijksmu­se­um, Ams­ter­dam, and Fon­da­tion Cus­to­dia, Paris, 2015 – 16.

Peter Schat­born. Dutch Fig­ure Draw­ings from the Sev­en­teenth Cen­tu­ry. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, and Nation­al Gallery of Art, Wash­ing­ton, 1981 – 82.

J.W. Niemei­jer. De verza­mel­ing van Bernard Houthakker. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, 1964.

L.C.J. Frerichs and Peter Schat­born. De Verza­mel­ing van H. van Leeuwen. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, 1975 – 76.

Eddy de Jongh. Tot Ler­ing en Ver­maak. Exh. cat. Rijksmu­se­um, Ams­ter­dam, 1976.

M.L. Wurf­bain and W.L. van de Water­ing. Jan van Goyen 1596 – 1656: Con­quest of Space. Exh. cat. Water­man Gallery, Ams­ter­dam, 1981.

Pieter Schat­born and Eva Orn­stein-van Sloten. Bij Rem­brandt in de leer / Rem­brandt as teacher. Exh. cat. Muse­um het Rem­brandthuis, Ams­ter­dam, 1984 – 85.

Peter Schat­born, with con­tri­bu­tions by Eva Orn­stein­van Sloten. Jan Lievens: Prenten & Tekenin­gen. Exh. cat. Muse­um het Rem­brandthuis, Ams­ter­dam, 1988 – 89.

J.F. Hei­jbroek, ed. De verza­mel­ing van mr. Carel Vos­maer (1826 – 1888). Exh. cat. Ams­ter­dam, Rijksmu­se­um, 1989.

Roelof van Gelder and Jan van der Waals. Een werel­dreiziger op papi­er: De atlas van Lau­rens van der Hem (1621 – 1678). Exh. cat. Konin­klijk Paleis te Ams­ter­dam, Ams­ter­dam, 1992.

Mar­i­jn Schapel­houman and Peter Schat­born. Tekenin­gen van Oude Meesters: De verza­mel­ing Jacobus A. Klaver. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, 1993.

Ger Lui­jten et al., eds. Dawn of the Gold­en Age: North­ern Nether­lan­dish Art 1580 – 1620. Exh. cat. Rijksmu­se­um, Ams­ter­dam, 1993 – 94.

Ingrid Oud, Michiel Jonker, and Mar­i­jn Schapel­houman. In de ban van Ital­ië: Tekenin­gen uit een Ams­ter­damse verza­mel­ing. Exh. cat. Ams­ter­dams His­torisch Muse­um, Ams­ter­dam, 1995.

Eddy de Jongh and Ger Lui­jten. Mir­ror of Every­day Life: Genre prints in the Nether­lands 1550 – 1700. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, 1997.

Bob van den Boogert et al. Goethe & Rem­brandt: Tekenin­gen uit Weimar. Exh. cat. Muse­um het Rem­brandthuis, Ams­ter­dam, 1999.

Peter Schat­born, with an essay by Judith Ver­berne. Drawn to Warmth: 17th-cen­tu­ry Dutch artists in Italy. Exh. cat. Rijksmu­se­um, Ams­ter­dam, 2001.

Holm Bev­ers. Rem­brandt Draw­ings from the Berlin Kupfer­stichk­abi­nett. Exh. cat. Rem­brandt House Muse­um, Ams­ter­dam, 2007.

Annemarie Ste­fes, Leonore van Sloten, and Leonoor van Oost­erzee. Teke­nen in Rem­brandts tijd: Meester­w­erken uit de Ham­burg­er Kun­sthalle. Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, 2012.

Peter Schat­born and Leonore van Sloten. Old Draw­ings, New Names: Rem­brandt and His Con­tem­po­raries. Exh. cat., Rem­brandt House, Ams­ter­dam, 2014.

David de Witt, Leonore van Sloten, and Jaap van der Veen. Rem­brandt’s Late Pupils: Study­ing Under a Genius. Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, 2015.

Judith Noor­man and David de Witt, eds. Rembrandt’s Naked Truth: Draw­ing Nude Mod­els in the Gold­en Age. Exh. cat. Rem­brandt House Muse­um, Ams­ter­dam, 2016.

Nor­bert Mid­delkoop, ed. Fer­di­nand Bol and Govert Flinck: Rembrandt’s Mas­ter Pupils. Exh. cat. Muse­um het Rem­brandthuis, Ams­ter­dam, and Ams­ter­dam Muse­um, Ams­ter­dam, 2017 – 18.

Epco Runia and David de Witt, eds. Rembrandt’s Social Net­work: Fam­i­ly Friends and Acquain­tances. Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, 2019.

Peter C. Sut­ton et al. Mas­ters of 17th-Cen­tu­ry Dutch Land­scape Paint­ing. Exh. cat. Rijksmu­se­um, Ams­ter­dam, Muse­um of Fine Arts, Boston, and Philadel­phia Muse­um of Art, Philadel­phia, 1987 – 88.

Huigen Leeflang and Ger Lui­jten et al. Hen­drick Goltz­ius (1558 – 1617): Tekenin­gen, Prenten en Schilder­i­jen. Exh. cat. Rijksmu­se­um, Ams­ter­dam, Met­ro­pol­i­tan Muse­um of Art, New York, and Tole­do Muse­um of Art, Tole­do (Ohio), 2003.

William W. Robin­son and Peter Schat­born. Sev­en­teenth-Cen­tu­ry Dutch Draw­ings: A Selec­tion from the Maida and George Abrams Col­lec­tion. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, Graphis­che Samm­lung Alberti­na, Vien­na, Pier­pont Mor­gan Library, New York, and Fogg Art Muse­um, Har­vard Uni­ver­si­ty, Cam­bridge, 1991 – 92.

Susan Ander­son. ​“The Library of Cor­nelis Dusart: Between Artist and Gen­tle­man.” Oud Hol­land 123:2 (2010), 133 – 65.

Susan Ander­son. ​“A Draw­ing by Cor­nelis Dusart in the Fogg: Copy­ing and Trans­for­ma­tion.” Mas­ter Draw­ings 53:4 (2015), 471 – 76.

Keith Andrews. Cat­a­logue of Nether­lan­dish Draw­ings in the Nation­al Gallery of Scot­land. 2 vols. Edin­burgh: Nation­al Gal­leries of Scot­land, 1985.

Carl Depauw and Ger Lui­jten et al. Antho­ny van Dyck as a print­mak­er. Exh. cat. Muse­um Plan­tin-More­tus, Antwerp, and Rijksmu­se­um, Ams­ter­dam, 1999 – 2000.

Karel Moens and Iris Kock­el­bergh. Muziek & grafiek: Burg­er­moraal en muziek in de 16de- en 17de-eeuwse Ned­er­lan­den. Exh. cat. Hes­sen­huis, Antwerp, 1994.

Valérie Her­re­mans et al. Voor­beeldige busten: Het borst­beeld in de Ned­er­lan­den, 1600 – 1800. Exh cat. Konin­klijk Muse­um voor Schone Kun­sten, Antwerp, 2008.

Col­lec­tie H. van Leeuwen te Ams­ter­dam: Tekenin­gen van 17e – 19e eeuw. Exh. cat. Gemeen­te­mu­se­um, Arn­hem, 1958.

Piet Bakker. ​“Frans van Mieris the Elder and His Four Lei­den Patrons.” In: The Lei­den Col­lec­tion Cat­a­logue. 2nd ed. Edit­ed by Arthur K. Whee­lock Jr., New York, 2017 – 20. Online: https://​thelei​den​col​lec​tion​.co…

Piet Bakker. ​“Pieter van Laer.” In: The Lei­den Col­lec­tion Cat­a­logue, 3rd ed. Edit­ed by Arthur K. Whee­lock, Jr. and Laura Yea­ger-Cras­selt. New York, 2020-. Online: https://​thelei​den​col​lec​tion​.com/​a​r​t​i​s​t​s​/​p​i​e​t​e​r​-​v​a​n​-​laer/.

Piet Bakker. ​“From Guild to Soci­ety: The Foun­da­tion of Con­frerie Pic­tura in The Hague Revis­it­ed.” Early Mod­ern Low Coun­tries 3 (2019), 115 – 40.

Adam von Bartsch. Le pein­tre graveur. 21 vols. Vien­na: J.V. Degen, 1803 – 21. [Var­i­ous reprints].

Kurt Bauch. Jakob Adri­aen­sz Backer: Ein Rem­brandtschüler aus Fries­land. Berlin: G. Grote’sche, 1926.

Hans-Ulrich Beck. ​“Jan van Goyens Handze­ich­nun­gen als Vorze­ich­nun­gen.” Oud Hol­land 72 (1957), 241 – 50.

Hans-Ulrich Beck. Jan van Goyen 1596 – 1656: Ein Oeu­vreverze­ich­nis. 4 vols. Ams­ter­dam: Van Gendt & Co.; Doorn­spijk: Dava­co, 1972 – 91.

Hans-Ulrich Beck. ​“Der unbekan­nte Zeich­nungssamm­ler Lugt 2986 b iden­ti­fiziert: Jacob Hel­molt in Haar­lem.” Oud Hol­land 107:4 (1993), 372 – 77.

Hans-Ulrich Beck. ​“Pieter Molyn and His Dupli­cate Draw­ings.” Mas­ter Draw­ings 35:4 (1997), 341 – 66.

Hans-Urich Beck. Pieter Molyn: Kat­a­log der Handze­ich­nun­gen. Doorn­spijk: Dava­co, 1998.

Felix Beck­er. Handze­ich­nun­gen hol­ländis­ch­er Meis­ter aus der Samm­lung Dr. C. Hof­st­ede de Groot im Haag. Neue Folge. Leipzig: Bern­hard Tauch­nitz, 1923.

Willem Bee­laerts van Blok­land and Charles Dumas. De kas­teel­tekenin­gen van Abra­ham Rade­mak­er. Zwolle: Waan­ders, 2006.

Thier­ry Beherman. God­fried Schal­ck­en. Paris: Maeght, 1988.

Maria Berbara. ​“Civic Self-Offer­ing: Some Renais­sance Rep­re­sen­ta­tions of Mar­cus Cur­tius.” In: Recre­at­ing Ancient His­to­ry: Episodes from the Greek and Roman Past in the Arts and Lit­er­a­ture of the Early Mod­ern Peri­od. Karl Enenkel, Jan L. de Jong, and Jea­nine de Landt­sheer, eds. Lei­den: Brill, 2001, 147 – 65.

W.J. Berghuis. Langs de oude Zuid­hol­landse kerken: Kust­strook en Rijn­land. Baarn, 1972.

Wolf­gang Schulz. Die Hol­ländis­che Land­schaft­sze­ich­nung 1600-1740: Hauptwerke aus dem Berlin­er Kupfer­stichk­abi­nett. Exh. cat. Staatliche Museen zu Berlin, Berlin, 1974.

Holm Bev­ers. Aus Rem­brandts Zeit: Zeichenkun­st in Hol­lands Gold­en­em Jahrhun­dert. Exh. cat. Kupfer­stichk­abi­nett, Staatliche Museen zu Berlin, 2011 – 12.

Walther Bernt. Die nieder­ländis­che Zeich­n­er des 17. Jahrhun­derts. 2 vols. Munich: F. Bruck­mann, 1957 – 58.

Holm Bev­ers. Rem­brandt: Die Zeich­nun­gen im Berlin­er Kupfer­stichk­abi­nett. Kri­tis­ch­er Kat­a­log. Berlin: Kupfer­stichk­abi­nett, Staatliche Museen zu Berlin, 2006.

Holm Bev­ers, with con­tri­bu­tions by Georg Josef Dietz and Antje Penz. Zeich­nun­gen der Rem­brandtschule im Berlin­er Kupfer­stichk­abi­nett. Berlin: Staatliche Museen zu Berlin, 2018.

Holm Bev­ers. Review of Peter Schat­born and Erik Hin­ter­d­ing, Rem­brandt: The Com­plete Draw­ings and Etch­ings. Mas­ter Draw­ings 60:2 (2022), 249 – 64.

Pieter Bies­boer. Review of Cor­nelis Vroom: Marine and Land­scape Artist by George Keyes. Simi­o­lus 10:3/4 (1978– 79), 207 – 10.

Pieter Bies­boer et al. Paint­ing in Haar­lem 1500 – 1850: The col­lec­tion of the Frans Hals Muse­um. Ghent: Ludion, 2006.

Mar­tin Bijl. ​“Willem van de Velde marine draughts­man.” Rijksmu­se­um Bul­letin 58:2 (2010), 190 – 197

Jonathan Bikker. Willem Drost (1633 – 1659): A Rem­brandt pupil in Ams­ter­dam and Venice. New Haven: Yale Uni­ver­si­ty Press, 2005.

Jonathan Bikker. Rem­brandt: Biog­ra­phy of a Rebel. Ams­ter­dam: Rijksmu­se­um, 2019.

Ben­jamin Ben­stock. ​“See­ing Rep­re­sen­ta­tions; or: The Hid­den Mas­ter in Rembrandt’s Syn­dics.” Rep­re­sen­ta­tions 83, 1 – 37.

Richard Verdi. Bartholomeus Breen­bergh (1598 – 1657): Joseph dis­trib­ut­ing corn in Egypt. Exh. cat. Bar­ber Insti­tute of Fine Arts, Uni­ver­si­ty of Birm­ing­ham, Birm­ing­ham, and Bredius Muse­um, The Hague, 2004 – 05.

P. Bit­ter. ​“Een bouwhis­torisch en arche­ol­o­gisch onder­zoek van het Witte Kerk­je van Noord­wijk­er­hout.” Hol­land, region­al-his­torisch tijd­schrift 20 (1988), 33 – 43.

Charles Blanc. His­toire des pein­tres de toute les écoles: École hol­landaise, Vol. 1. Paris, 1861.

Jan Blanc. Pein­dre et penser la pein­ture au XVIIe siè­cle: La théorie de l’art de Samuel van Hoogstrat­en. Bern: Peter Lang, 2008.

Jan Blanc. ​“Sen­si­ble Natures: Allart van Everdin­gen and the Tra­di­tion of Sub­lime Land­scape in Sev­en­teenth-Cen­tu­ry Dutch Paint­ing.” Jour­nal of the His­to­ri­ans of Nether­lan­dish Art 8:2 (2016). DOI: 10.5092/ jhna.2016.8.2.4.

Albert Blankert and Alexan­der Nys­tad. ​“Her­man Nauwincx als schilder en teke­naar.” Tableau 1:5 (1979), 48 – 58.

Albert Blankert. Kunst als regeringsza­ak in Ams­ter­dam in de 17e eeuw: Ron­dom schilder­i­jen van Fer­di­nand Bol. Lochem: De Tijd­stroom, 1975.

Albert Blankert. Fer­di­nand Bol: Rembrandt’s Pupil. Doorn­spijk: Dava­co, 1982.

Yvonne Bley­erveld and Ilja M. Veld­man. The Nether­lan­dish Draw­ings of the 16th Cen­tu­ry in the Teylers Muse­um. Lei­den: Pri­mav­era Press, 2016.

Abra­ham Bloe­maert. Oor­sponke­lyk en ver­maard konstryk teken­boek van Abra­ham Bloe­maert. Ams­ter­dam: Reinier & Josua Ottens, 1740.

Elfried Bock and Jakob Rosen­berg. Die Zeich­nun­gen alter Meis­ter im Kupfer­stichk­abi­nett: Die nieder­ländis­chen Meis­ter. 2 vols. Berlin: Julius Bard, 1930.

Mar­i­on Boers. ​“Pieter de Moli­jn (1597 – 1661): A Dutch Painter and the Art Mar­ket in the Sev­en­teenth Cen­tu­ry.” Jour­nal of the His­to­ri­ans of Nether­lan­dish Art 9:2 (2017). DOI: 10.5092/jhna.2017.9.2.5

Lau­rens J. Bol. Die hol­ländis­che Marine­malerei des 17. Jahrhun­derts. Braun­schweig: Klinkhardt & Bier­mann, 1973.

Jaap Bolten. Groninger Muse­um voor Stad en Lande: Dutch Draw­ings from the Col­lec­tion of Dr C. Hof­st­ede de Groot. Utrecht: A. Oost­hoek, 1967.

Jaap Bolten. Method and Prac­tice: Dutch and Flem­ish Draw­ing Books 1600 – 1750. Lan­dau: Edi­tion PVA, 1985.

Jaap Bolten. Oude Tekenin­gen van het Prentenk­abi­net der Rijk­suni­ver­siteit te Lei­den. The Hague & Ams­ter­dam: Rijks­di­enst Beeldende Kunst, 1985.

Jaap Bolten. ​“Abra­ham Bloe­maert (1564 – 1651) and his Teken­boek.” Delin­eav­it et Sculp­sit 9 (1993), 1 – 10.

Jaap Bolten. Abra­ham Bloe­maert c. 1565 – 1651: The Draw­ings. 2 vols. Pri­vate­ly Print­ed, 2007.

Jaap Bolten. ​“The Draw­ings of Abra­ham Bloe­maert: A Sup­ple­ment.” Mas­ter Draw­ings 55:1 (2017), 3 – 120.

Jaap Bolten. ​“Abra­ham Bloe­maert and the con­cept of real­i­ty.” Delin­eav­it et Sculp­sit 41 (2017), 48 – 52.

E.K.J. Reznicek et al. Nieder­ländis­che Zeich­nun­gen des 17. bis 19. Jahrhun­derts aus der Samm­lung Hans van Leeuwen. Exh. cat. Rheinis­ches Lan­desmu­se­um, Bonn, Saar­ländis­ches Muse­um, Saar­brück­en, and Städtis­che Kun­st­ga­lerie, Bochum, 1968 – 69.

Mat­tie Boom et al. ​“Print Room Acqui­si­tions.” Rijksmu­se­um Bul­letin 68:4 (2020), 366 – 98.

K.G. Boon. Nether­lan­dish Draw­ings of the Fif­teenth and Six­teenth Cen­turies in the Rijksmu­se­um. 2 vols. The Hague: Gov­ern­ment Print­ing Office, 1978.

Karel G. Boon. The Nether­lan­dish and Ger­man Draw­ings of the XVth and XVIth Cen­turies of the Frits Lugt Col­lec­tion. 3 vols. Paris: Insti­tut Néer­landais, 1992.

Clif­ford S. Ack­ley et al. Rembrandt’s Jour­ney: Painter, Drafts­man, Etch­er. Exh. cat. Muse­um of Fine Arts, Boston, and Art Insti­tute of Chica­go, Chica­go, 2003 – 04.

Clif­ford S. Ack­ley. Print­mak­ing in the Age of Rem­brandt. Exh. cat. Boston Muse­um of Fine Arts, Boston, and St. Louis Art Muse­um, St. Louis, 1980 – 81.

Rüdi­ger Kless­mann, ed. Jan Lievens: Ein Maler im Schat­ten Rem­brandts. Exh cat. Her­zog Anton Ulrich-Muse­um, Braun­schweig, 1979.

Abra­ham Bredius. ​“Kun­stkri­tiek der XVIIe eeuw.” Oud Hol­land 7 (1889), 41 – 44.

Abra­ham Bredius. ​“De schilder Johannes van de Cap­pelle.” Oud Hol­land 10:1 (1892), 26 – 40.

Abra­ham Bredius. ​“Bol’s Kun­stschat­ten.” Oud Hol­land 28:4 (1910), 233 – 38.

Abra­ham Bredius, with the col­lab­o­ra­tion of Otto Hirschmann. Kün­stler-Inventare: Urkun­den zur Geschichte der hol­ländis­che Kunst der XVIten, XVI­Iten und XVI­I­Iten Jahrhun­derts. 7 vols. The Hague: Mar­t­i­nus Nijhoff, 1915 – 22.

A. Bredius. ​“Een en ander over Her­man Nauwincx.” Oud Hol­land 58:1 (1941), 18 – 22.

Gün­ter Busch, Wern­er Sumows­ki, and Mina Gre­gori. Handze­ich­nun­gen alter Meis­ter aus Schweiz­er Pri­vatbe­sitz. Exh. cat. Kun­sthalle, Bre­men, and Kun­sthaus, Zürich, 1967.

Nieder­ländis­che Zeich­nun­gen des 17. bis 19. Jahrhun­derts aus der Samm­lung Hans van Leeuwen. Exh. cat. Kun­sthalle, Bre­men, Städtis­ches Muse­um, Braun­schweig, and Galerie der Stadt Stuttgart, Stuttgart, 1979 – 80.

Giu­liano Brig­an­ti, Ludovi­ca Trez­zani, and Laura Lau­re­ati. The Bam­boc­cianti: The Painters of Every­day Life in Sev­en­teenth-Cen­tu­ry Rome. Rome: Ugo Bozzi, 1983.

Ben Broos and Mar­i­jn Schapel­houman. Oude tekenin­gen in het bezit van het Ams­ter­dams His­torisch Muse­um, waaron­der de col­lec­tie Fodor. Deel 4: Ned­er­landse teke­naars geboren tussen 1600 en 1660. Ams­ter­dam & Zwolle: Ams­ter­dam His­torisch Muse­um & Waan­ders, 1993.

Ben Broos. Oude tekenin­gen in het bezit van de Gemeen­te­musea van Ams­ter­dam waaron­der de col­lec­tive Fodor. Deel 3: Rem­brandt en teke­naars uit zijn omgev­ing. Ams­ter­dam: Ams­ter­dams His­torisch Muse­um, 1981.

Ben Broos. ​“Improv­ing and Fin­ish­ing Old Mas­ter Draw­ings: An Art in Itself.” Hoog­st­ed­er-Nau­mann Mer­cury 8 (1989), 34 – 55.

Piet Brouw­er and Ger­ard van Kesteren. Berigt aan de heeren reizigers: 400 jaar open­baar ver­vo­er in Ned­er­land. The Hague: SDU, 2008.

Celeste Brusati, ed., and Jaap Jacobs, trans. Samuel van Hoogstraten’s Intro­duc­tion to the Acad­e­my of Paint­ing; or, The Vis­i­ble World. Los Ange­les: Getty Research Insti­tute, 2021.

Hans Deviss­ch­er, ed. Fiamminghi a Roma 1508 – 1608: Kun­ste­naars uit de Ned­er­lan­den en het prins­bis­dom Luik te Rome tij­dens de renais­sance. Exh. cat. Paleis voor Schone Kun­sten, Brus­sels, and Palaz­zo delle Espo­sizioni, Rome, 1995.

Ste­faan Haute­keete, ed. Dessins du Siè­cle d’or hol­landais: La col­lec­tion Jean de Grez. Exh. cat. Musées Roy­aux des Beaux-Arts de Bel­gique, Brus­sels, Muse­um het Rem­brandthuis, Ams­ter­dam, and Suer­mondt-Lud­wig-Muse­um, Aachen, 2007 – 08.

Joe. Koeznet­sow and T.A. Tsesjkowska­ja. Hol­lands een Vlaamse tekenin­gen uit de zeven­tiende eeuw: Verza­mel­ing van de Her­mitage, Leningrad, en het Muse­um Poesjkin, Mosk­ou. Exh. cat. Konin­klijke Bib­lio­thèque Albert Ier, Brus­sels, Muse­um Boy­mans-Van Beuin­gen, Rot­ter­dam, Insti­tut Néer­landais, Paris, 1972 – 73.

J.G. van Gelder and Car­los van Has­selt. Dessins de paysag­istes hol­landais du XVIIe siè­cle. Exh. cat. Bib­lio­thèque Albert Ier, Brus­sels, Muse­um Boy­mans-Van Beuin­gen, Rot­ter­dam, Insti­tut Néer­landais, Paris, and Kun­st­mu­se­um, Bern, 1968 – 69.

Hans Buijs and Ger Lui­jten, eds. Goltz­ius to Van Gogh: Draw­ings and Paint­ings from the P. & N. de Boer Foun­da­tion. Paris: Fon­da­tion Cus­to­dia; Ams­ter­dam: P. & N. de Boer Foun­da­tion, 2015.

Edwin Bui­jsen. The Sketch­book of Jan van Goyen from the Bredius-Kro­nig Col­lec­tion. The Hague: Bredius Genootschap Foun­da­tion, 1993.

Edwin Bui­jsen et al. Haagse Schilders in de Gouden Eeuw: Het Hoog­st­ed­er Lex­i­con van alle schilders werkza­am in Den Haag 1600 – 1700. The Hague: Kun­sthandel Hoog­st­ed­er & Hoog­st­ed­er, 1998.

Arnold C.M. Burg­er. Het Kas­teel van Egmond: Een schets van de ontwik­kel­ing van het slot ​‘Slot op den Hoef’. Schoorl: Piro­la, 1988.

James D. Burke. ​“Draw­ings by Thomas Wijck.” Allen Memo­r­i­al Art Muse­um Bul­letin 19 (1972), 106 – 11.

Nils Büt­tner and Gerd Unver­fehrt. Jacob van Ruis­dael in Ben­theim: Ein nieder­ländis­ch­er Maler und die Burg Ben­theim im 17. Jahrhun­dert. Biele­feld: Land­kreis Graf­schaft Ben­theim & Muse­umsvere­in für die Graf­schaft Ben­theim, 1993.

Quentin Buvelot. ​“Anthonie Water­loo tekent Ben­theim.” Delin­eav­it et Sculp­sit 33 (2010), 29 – 32.

Fred­erik J. Duparc, Land­scape in Per­spec­tive: Draw­ings by Rem­brandt and his Con­tem­po­raries. Exh. cat. Arthur M. Sack­ler Muse­um, Har­vard Uni­ver­si­ty, Cam­bridge, and Mon­tréal Muse­um of Fine Arts, 1988.

Jane Cano­va. ​“Mon­u­ments to the Birds: Dove­cotes and Pigeon Eat­ing in the Land of the Fields.” Gas­tro­nom­i­ca 5:2 (2005), 50 – 59.

David Man­drel­la. Arcadie du Nord: Dessins hol­landais du musée Condé à Chan­til­ly. Exh. cat. Musée Condé, Château de Chan­til­ly, Chan­til­ly, 2001.

Franklin W. Robin­son et al. Fresh Woods and Pas­tures New: Sev­en­teenth-Cen­tu­ry Land­scape Draw­ings from the Peck Col­lec­tion. Exh. cat. Ack­land Muse­um of Art, Chapel Hill, Her­bert F. John­son Muse­um, Itha­ca, and Worces­ter Art Muse­um, Worces­ter, 1999 – 2001.

H. Perry Chap­man. ​“Rem­brandt on dis­play: The Rem­brandthuis as por­trait of an artist.” Ned­er­lands Kun­sthis­torisch Jaar­boek 65 (2015), 203 – 38.

Marco Chiari­ni. Gal­lerie e musei statali di Firen­ze: I dip­in­ti olan­desi del Sei­cen­to e del Set­te­cen­to. Rome: Isti­tu­to Poligrafi­co e Zecca dello Stato, 1989.

Vic­to­ria San­cho Lobis et al. Rubens, Rem­brandt, and Draw­ing in the Gold­en Age. Exh. cat. Art Insti­tute of Chica­go, 2019 – 20.

Jay Richard Jud­son et al. Rem­brandt After Three Hun­dred Years: An Exhi­bi­tion of Rem­brandt and His Fol­low­ers. Exh. cat. Art Insti­tute of Chica­go, Chica­go, Min­neapo­lis Insti­tute of Arts, Men­neapo­lis, and Detroit Insti­tute of Arts, 1969 – 70.

Alan Chong. ​‘The Draw­ings of Cor­nelis Poe­len­burch.’ Mas­ter Draw­ings 25:1 (1987), 3 – 62, 85 – 116.

Alan David Chong. Ael­bert Cuyp and the mean­ings of land­scape. Ph.D. dis­ser­ta­tion, New York Uni­ver­si­ty, 1992.

Andrzej Chudzikows­ki. ​“Dom­nie­many obraz Abra­hama de Ver­w­era.” Rocznik Muzeum Nar­o­dowego w Warsza­w­ie / Annu­aire du Musée Nation­al de Varso­vie 2 (1957), 661 – 79.

W.A. Churchill. Water­marks in Paper in Hol­land, Eng­land, France, Etc., in the XVII and XVIII Cen­turies and Their Inter­con­nec­tion. Ams­ter­dam: Menno Hertzberg­er, 1935.

Tom van der Molen et al. Govert Flinck: Reflect­ing His­to­ry. Exh. cat. Muse­um Kurhaus, Cleves, 2015.

Mari­na Cogot­ti, ed. Tivoli: Pae­sag­gio del Grand Tour. Con­trib­u­to alla conoscen­za e al recu­pero del pae­sag­gio tiburtino. Rome: De Luca, 2014.

Her­man Th. Colen­bran­der and Jan J. van der Waals. Tekenin­gen van de 16de tot de 19de eeuw: Rijksmu­se­um Kröller-Müller. Otter­lo: Rijksmu­se­um Kröller-Müller, 1981.

Anja K. Sev­cik et al. Schal­ck­en: Kun­ste­naar van het ver­lei­den. Exh. cat. Wall­raf-Richartz-Muse­um, Cologne, and Dor­drechts Muse­um, Dor­drecht, 2015 – 16.

David A. Levine and Ekke­hard Mai et al. I Bam­boc­cianti: Nieder­ländis­che Maler­re­bellen im Rom des Barock. Exh. cat. Wall­raf-Richartz-Muse­um, Cologne, and Cen­traal Muse­um, Utrecht, 1991 – 92.

Nicole Cook. Gode­fridus Schal­ck­en (1643 – 1706): Desire and Inti­mate Dis­play. Ph.D. dis­ser­ta­tion, Uni­ver­si­ty of Delaware, 2016.

Rem­melt Daalder. Van de Velde & Son: Marine Painters. The firm of Willem van de Velde the Elder and Willem van de Velde the Younger, 1640 – 1707. Lei­den: Pri­mav­era Pers, 2016.

Jan Simane and Peter Märk­er. Land­schaft­sze­ich­nun­gen der Nieder­län­der: Aus der Graphis­chen Samm­lung des Hes­sis­chen Lan­desmu­se­ums Darm­stadt. Exh. cat. Hes­sis­ches Lan­desmu­se­um, Darm­stadt, 1992.

Hein­rich Dat­ten­berg. ​“Lam­bert Doomer als Zeich­n­er.” Pan­theon 25 (1940), 13 – 16.

Jane P. David­son. The Witch in North­ern Euro­pean Art, 1470 – 1750. Freren: Luca Ver­lag, 1987.

Alice I. Davies. ​“Allart van Everdin­gen’s Draw­ings of the Twelve Months.” Reg­is­ter of the Muse­um of Art, Uni­ver­si­ty of Kansas 4:9 (1972), unpaginated.

Alice I. Davies. Allart van Everdin­gen. New York: Gar­land, 1978. [Reprint of 1973 Ph.D. dissertation].

Alice I. Davies, in col­lab­o­ra­tion with Fred­er­ic J. Duparc. Allart van Everdin­gen, 1621 – 1675: First Painter of Scan­di­na­vian Land­scapes. Doorn­spijk: Dava­co, 2001.

Alice I. Davies. The Draw­ings of Allart van Everdin­gen: A Com­plete Cat­a­logue, Includ­ing the Stud­ies for Rey­nard the Fox. Doorn­spijk: Dava­co, 2007.

Owen Davies. Gri­moires: A His­to­ry of Magic Books. Oxford: Oxford Uni­ver­si­ty Press, 2009.

Alice I. Davies. ​“Two Tem­pests by Allart van Everdin­gen for Mar­ijke.” In: Liber Ami­co­rum Mar­ijke de Kinkelder. Charles Dumas et al., eds. The Hague, 2013, 93 – 98.

Alice I. Davies. Anthonie van Bors­som (1630 – 1677): A Cat­a­logue of His Draw­ings. Doorn­spijk: Dava­co, 2014.

E.S. de Beer. The Diary of John Eve­lyn. Vol­ume II: Kalen­dar­i­um, 1620 – 1649. Oxford: Claren­don, 1955.

Willem de Blé­court and Mar­ijke Gijswi­jt-Hof­s­tra, eds. Kwade mensen: Tover­ij in Ned­er­land. Spe­cial issue of Volk­skundig Bul­letin 12 (1986).

Erlend de Groot and Peter van der Krogt. The Atlas Blaeu-Van der Hem of the Aus­tri­an Nation­al Library. ​‘t Goy-Houten: HES & De Graaf, 1996 – 2008.

Eddy de Jongh. ​“Bol vincit amorem.” Simi­o­lus 12:2/3 (1981 – 82), 147 – 61.

Clara de la Peña McTigue. ​“Van de Velde Draw­ings at the Nation­al Mar­itime Muse­um: Look­ing at Con­ser­va­tion and Tech­ni­cal Research.” Codart EZINE 5 (2014), 6 – 10. http://​ezine​.codart​.nl/

Fer­nan­do González de León. The Road to Rocroi: Class, Cul­ture and Com­mand in the Span­ish Army of Flan­ders, 1567 – 1659. Lei­den: Brill, 2009.

Alexan­dra de Luise. ​“Ploos van Ams­tel and Chris­ti­aan Josi; two gen­er­a­tions of print­mak­ers work­ing in the art­ful imi­ta­tion of draw­ings.” Quaeren­do 25 (1995), 215 – 26.

Neil De Marchi. ​“The role of Dutch auc­tions and lot­ter­ies in shap­ing the art market(s) of 17th-Cen­tu­ry Hol­land.” Jour­nal of Eco­nom­ic Behav­ior and Orga­ni­za­tion 28 (1995), 203 – 21.

K.H. de Raaf. ​“Rem­brandt’s Chris­tus en Maria Mag­dale­na.” Oud Hol­land 30:1 (1912), 6 – 8.

Kate de Roth­schild and Mor­ton Mor­ris and Com­pa­ny. Exhi­bi­tion of Old Mas­ter and Eng­lish Draw­ings. Deal­er cat. Lon­don, 1980.

Kate de Roth­schild. Exhi­bi­tion of Old Mas­ter Draw­ings. Deal­er cat., 1987.

A.D. de Vries. ​“Willem Schellinks: Schilder, teeke­naar, etser, dichter.” Oud Hol­land 1 (1883), 150 – 63.

David de Witt. Abra­ham van Dijck, c. 1635 – 1680: Life and Work of a Late Rem­brandt Pupil. Zwolle: Wbooks, 2020.

Rudolf Dekker. Fam­i­ly, Cul­ture and Soci­ety in the Diary of Con­sta­ti­jn Huy­gens Jr, Sec­re­tary to Stad­hold­er-King William of Orange. Lei­den: Brill, 2013.

Rudolf Dekker. The Diary of Con­sta­ti­jn Huy­gens Jr, Sec­re­tary to Stad­hold­er-King William of Orange. Ams­ter­dam: Pan­chaud, 2015.

Jan ten Brink Gold­smith et al. Leonart Bramer 1596 – 1674: Inge­nius Painter and Draughts­man in Rome and Delft. Exh. cat. Stedelijk Muse­um Het Prin­sen­hof, Delft, 1994.

Michiel C.C. Ker­sten, Daniëlle H.A.C. Lokin, and Michiel C. Plomp. Delft Mas­ters, Ver­meer’s Con­tem­po­raries: Illu­sion­ism through the Con­quest of Light and Space. Exh. cat. Muse­um Het Prin­sen­hof, Delft, 1996.

Michel P. van Maar­se­veen, Jos W.L. Hilkhui­jsen, and Jacques Dane, eds. Beelden van een stri­jd: Oor­log en kunst vóór de Vrede van Mun­ster 1621 – 1648. Exh. cat. Stedelijk Muse­um Het Prin­sen­hof, Delft, 1998.

Carl Depauw. ​‘Een merk­waardi­ge teken­ing van Paul Bril in het Antwerps Prentenk­abi­net.’ Delin­eav­it et Sculp­sit 2 (1989), 20 – 25.

Carl Depauw. ​‘Naar aan­lei­d­ing van een teken­ing van Paul Bril in het Antwerps Prentenk­abi­net.’ Delin­eav­it et Sculp­sit 7 (1992), 1 – 4.

Carl Depauw. ​“Breen­bergh and Bril.” Burling­ton Mag­a­zine 139 (1997), 404 – 5.

Stephanie S. Dick­ey, ed. Fer­di­nand Bol and Govert Flinck: New Research. Zwolle: WBooks, 2017

Arthur J. DiFu­ria. Maarten van Heemskerck’s Rome: Antiq­ui­ty, Mem­o­ry, and the Cult of Ruins. Lei­den: Brill, 2019.

P. Dirkse. ​“Cor­nelis de Viss­ch­er en de icono­grafie van het Noordned­er­lands pas­toor­sportret.” Leids Kun­sthis­torisch Jaar­boek 8 (1989), 255 – 86.

Chris­t­ian Dit­trich and Thomas Ketelsen et al. Rem­brandt: Die Dres­den­er Zeich­nun­gen 2004. Cologne: Walther König, 2004.

Wietske Donker­sloot. Brederode ver­beeld: Tekenin­gen, prenten, schilder­i­jen en kaarten van de ruïne van Brederode 1537 – 1750. 2 vols. M.A. the­sis, Uni­ver­siteit Lei­den, 2006.

Wietske Donker­sloot. ​“Enkele raad­sels ron­dom de ruïne van Brederode.” RKD Bul­letin 2 (2012), 28 – 32.

W. Veer­man, J.M. de Groot, and J.G. van Gelder. Ael­bert Cuyp en zijn fam­i­lie: Schilders te Dor­drecht. Exh. cat. Dor­drechts Muse­um, Dor­drecht, 1977 – 78.

Elis­a­beth Berry Drago. Paint­ed Alchemists: Early Mod­ern Artistry and Exper­i­ment in the Works of Thomas Wijck. Ams­ter­dam: Ams­ter­dam Uni­ver­si­ty Press, 2019.

Chris­t­ian Dit­trich. Van Eyck, Bruegel, Rem­brandt: Nieder­ländis­che Zeich­nun­gen des 15. Bis 17. Jahrhun­derts aus dem Kupfer­stich-Kabi­nett Dres­den. Exh. cat. Albert­inum, Dres­den, and Kun­st­fo­rum, Vien­na, 1997 – 98.

S.A.C. Dudok van Heel. ​“De remon­strantse wereld van Rem­brandts opdracht­gev­er Abra­ham Anthon­iszn. Recht.” Bul­letin van het Rijksmu­se­um 42:4 (1994), 334 – 346.

Lil­iane Dufour. Nat­u­ralia et mirabil­ia: Viag­gio nella Sicil­ia del ​‘600 nelle impres­sioni di Willem Schellinks e di Albert Jou­vin. Cata­nia: Domeni­co San­fil­ip­po, 2013.

Charles Dumas. De Rot­ter­damse land­schap­steke­naar Ger­ard van Rossum (1699 – 1772) en zijn verza­mel­ing van voor­namelijk zeven­tiende-eeuwse land­schap­stekenin­gen. The Hague: pri­vate­ly pub­lished, 2015.

Charles Dumas. ​“Een reeks kas­teel­tekenin­gen door Jacob van der Ulft (1621 – 1689).” Delin­eav­it et Sculp­sit 42 (2017), 27 – 79

150 Meis­terze­ich­nun­gen des 16. – 19. Jahrhun­derts. C.G. Boern­er, Düs­sel­dorf, 1964.

T.W. Earp. ​“Draw­ings by Old Dutch Mas­ters.” Apol­lo 11 (1930), 423 – 27.

Julia Lloyd Williams et al. Rembrandt’s Women. Exh. cat. Nation­al Gallery of Scot­land, Edin­burgh, and Royal Acad­e­my of Arts, Lon­don, 2001.

Angelique van den Eeren­beemd. ​“De ital­ianis­erende tekenin­gen van Adri­aen van de Velde.” Delin­eav­it et Sculp­sit 30 (2006), 1 – 64.

Rudolf E.O. Ekkart. ​“A por­trait his­torié with Venus, Paris and Cupid: Fer­di­nand Bol and the Patron­age of the Spiegel Fam­i­ly.” Simi­o­lus 29:1/2 (2002), 14 – 41.

Albert Elen, with the assis­tance of Jacob Voorthuis. Miss­ing Old Mas­ter Draw­ings from the Franz Koenigs Col­lec­tion. The Hague: SDU, 1989.

Albert Elen, with the assis­tance of Jacob Voorthuis. Miss­ing Old Mas­ter Draw­ings from the Franz Koenigs Col­lec­tion. The Hague: SDU, 1989.

.A. Emmens. Rem­brandt en de regels van de kunst. Ams­ter­dam: G.A. van Oorschot, 1979.

Mau­rice Exwood and H.L. Lehmann. The Jour­nal of William Schellinks’ Trav­els in Eng­land 1661 – 1663. Lon­don: Offices of the Royal His­tor­i­cal Soci­ety, 1993.

C. Willemi­jn Fock, ed. Het Ned­er­landse interieur in beeld 1600 – 1900. Zwolle: Waan­ders, 2001.

Wayne E. Fran­its. Paragons of Virtue: Women and Domes­tic­i­ty in Sev­en­teenth-Cen­tu­ry Dutch Art. Cam­bridge: Cam­bridge Uni­ver­si­ty Press, 1993.

Wayne Fran­its. ​“Schal­ck­en in Lon­don: Self-Por­trai­ture as Self Pro­mo­tion.” Wall­raf-Richartz-Jahrbuch 77 (2016), 19 – 42.

Wayne Fran­its. Gode­fridus Schal­ck­en: A Dutch Painter in Late Sev­en­teenth-Cen­tu­ry Lon­don. Ams­ter­dam: Ams­ter­dam Uni­ver­si­ty Press, 2018.

Anna Frank-van Westrienen. De Groote Tour: Teken­ing van de edu­catiereis der Ned­er­lan­ders in de zeven­tiende eeuw. Ams­ter­dam: Noord-Hol­land­sche Uit­gev­ers­maatschap­pij, 1983.

David Freed­berg. Dutch Land­scape Prints of the Sev­en­teenth Cen­tu­ry. Lon­don: British Muse­um, 1980.

Nieder­ländis­che Meis­terze­ich­nun­gen des 17. bis 19. Jahrhun­derts aus der Samm­lung Hans van Leeuwen. Exh. cat. Musée d’Art et d’Histoire, Fri­bourg, Ober­haus­mu­se­um, Pas­sau, Städtis­ches Muse­um, Trier, Suer­mondt-Lud­wig­Mu­se­um, Aachen, and Dür­erhaus, Nurem­berg, 1982 – 84.

Robert Fucci. Land­scape into His­to­ry: The Early Print­ed Land­scape Series by Jan van de Velde II (1593 – 1641). Ph.D. dis­ser­ta­tion, Colum­bia Uni­ver­si­ty, New York, 2018.

Robert Fucci. Review of Draw­ings for Paint­ings in the Age of Rem­brandt by Ger Lui­jten, Peter Schat­born, and Arthur K. Whee­lock. Mas­ter Draw­ings 56 (2018), 409 – 415.

Robert Fucci. ​“Reviv­ing the locus amoenus: Jan van de Velde II and Bata­vian Anti­quar­i­an­ism dur­ing the Twelve Years’ Truce (1609 – 1621).” In: Imag­ing Utopia: New Per­spec­tives on North­ern Renais­sance Art. Julie Bek­ers et al., eds. Leu­ven: Peeters, 2021, 44 – 55.

Robert Fucci. ​“Reflect­ing on Ruins: The Ear­li­est Land­scape Draw­ings by Jan van de Velde II.” Mas­ter Draw­ings 60:1 (2022), 7 – 26.

Robert Fucci. ​“Nico­laes Berchem and the Rise of Coun­ter­proof Draw­ing Prac­tices in the Nether­lands.” In: Mar­ginale Zeichen­tech­niken: Pause, Abklatsch, Cut & Paste als ästhetis­che Strate­gien in der Vor­mod­erne. Iris Brahms, ed. Berlin & Boston, 2022, 128 – 43.

Robert Fucci. ​“Nico­laes Berchem and the Rise of Coun­ter­proof Draw­ing Prac­tices in the Nether­lands.” In: Mar­ginale Zeichen­tech­niken: Pause, Abklatsch, Cut & Paste als ästhetis­che Strate­gien in der Vor­mod­erne. Iris Brahms, ed. Berlin & Boston, 2022, 128 – 43.

Jan Garff. Draw­ings by Rem­brandt and other 17th Cen­tu­ry Dutch Artists in the Depart­ment of Prints and Draw­ings. Copen­hagen: Royal Muse­um of Fine Arts, 1996.

Ivan Gaskell. ​“Tobac­co, Social Deviance, and Dutch Art in the Sev­en­teenth Cen­tu­ry.” In: Hen­ning Bock & Thomas Gae­ht­gens, eds., Hol­ländis­che Gen­re­malerei im 17. Jahrhun­dert. Berlin, 1987, 117 – 37.

Judith van Gent. Bartholomeus van der Helst (ca. 1613– 1670): Een studie naar zijn leven en werk. Zwolle: WBooks, 2012.

Wal­ter S. Gib­son. Pleas­ant Places: The Rus­tic Land­scape from Bruegel to Ruis­dael. Berke­ley: Uni­ver­si­ty of Cal­i­for­nia Press, 2000.

H.W.M. Giezen-Nieuwen­huys and C.C.S. Wilmer. Ned­er­landse duiv­en­tillen: His­torische duifhuizen geschilderd en beschreven. Zut­phen: Terra, 1987.

Mar­ijke Gijswi­jt-Hof­s­tra and Willem Fri­jhoff, eds. Witch­craft in the Nether­lands from the four­teenth to the twet­nti­eth cen­tu­ry. Rot­ter­dam: Uni­ver­si­taire Pers, 1991.

Carol C. Gill­ham and Car­olyn H. Wood. Euro­pean Draw­ings from the Col­lec­tion of the Ack­land Art Muse­um. Chapel Hill: Ack­land Art Muse­um, Uni­ver­si­ty of North Car­oli­na at Chapel Hill, 2001.

Jeroen Giltaij. ​“Guil­lam Du Bois als teke­naar.” Oud Hol­land 91:3 (1977), 144 – 65. 

Jeroen Giltaij. ​“De tekenin­gen van Jacob van Ruis­dael.” Oud Hol­land 94:2/3 (1980), 141 – 208.

Jeroen Giltaij. The draw­ings by Rem­brandt and his school in the Muse­um Boy­mans-van Beunin­gen. Rot­ter­dam: Muse­um Boy­mans-van Beunin­gen, 1988.

Jeroen Giltaij. ​“Fur­ther Addi­tions to Jacob van Ruis­dael.” In: Shop Talk: Stud­ies in Honor of Sey­mour Slive, Pre­sent­ed on His Sev­en­ty-Fifth Birth­day. C.P. Schnei­der, W.W. Robin­son, and A.I. Davies, eds. Cam­bridge, 1995, 87 – 88, 312 – 14.

Jeroen Giltaij. ​“Tien tekenin­gen van Jacob van Ruis­dael.” In: Liber Ami­co­rum Mar­ijke de Kinkelder: Col­le­giale bij­dra­gen over land­schapen, marines en arhci­tec­tu­ur. C. Dumas, J. Kosten, and E.J. Slui­jter, eds. The Hague, 2013, 147 – 58.

Jeroen Giltaij. ​“Weer nieuwe tekenin­gen van Jacob van Ruis­dael.” In: Con­nois­seur­ship: Essays in Hon­our of Fred G. Mei­jer. C. Dumas, R. Ekkart, and C. van de Put­te­laar, eds. Lei­den, 2020, 148 – 55.

C.F. Giu­liani and A. Ten. ​“The sanc­tu­ary of Her­cules Vic­tor in Tivoli. III: The archi­tec­ture.” Bol­let­ti­no d’Arte 30 (2016), 1 – 50.

Gio­van­na Giusti and Maria Sframeli, eds. Artists’ Self-Por­traits from the Uffizi. Exh. cat. Dul­wich Pic­ture Gallery, Lon­don, 2007.

Jane Glaub­inger. ​“Two Works by Allart van Everdin­gen.” Bul­letin of the Cleve­land Muse­um of Art 69:8 (1982), 258 – 72.

Achim Gnann. Rem­brandt: Land­schaft­sze­ich­nun­gen / Land­scape Draw­ings. Peters­burg: Michael Imhof, 2021.

Lawrence Otto Goed­de. Tem­pest and Ship­wreck in Dutch and Flem­ish Art: Con­ven­tion, Rhetoric, and Inter­pre­ta­tion. Uni­ver­si­ty Park & Lon­don: Penn­syl­va­nia State Uni­ver­si­ty Press, 1989.

August Gold­schmidt. ​“Egbert van der Poel und Adri­aen van der Poel.” Oud Hol­land 40 (1922), 57 – 66.

Franziska Gottwald. Das Tron­ie. Muster, Studie und Meis­ter­w­erk: Die Genese einer Gat­tung der Malerei vom 15. Jahrhun­dert bis zu Rem­brandt. Munich: Deutsch­er Kun­stver­lag, 2011.

Antony Grif­fiths. ​“Early Mez­zotint Pub­lish­ing in Eng­land – I: John Smith, 1652 – 1743.” Print Quar­ter­ly 6:3 (1989), 243 – 57.

Antony Grif­fiths. The Print in Stu­art Britain 1603 – 1689. Exh. cat. British Muse­um, Lon­don, 1998.

Frans Gri­jzen­hout and Erna E. Kok. ​“A rare case of evi­dence: Fer­di­nand Bol’s Por­trait of an Eight-year-old Boy (1652) iden­ti­fied.” In: Fer­di­nand Bol and Govert Flinck: New Research. Stephanie S. Dick­ey, ed. Zwolle: WBooks, 2017, 115 – 31.

Rolph Grosse. Die hol­ländis­che Land­schaft­skun­st 1600 – 1650. Stuttgart: Deutsche Ver­lags-Anstalt, 1925.

S.J. Gud­laugs­son. Ger­aert Ter Borch. Kat­a­log der Gemälde Ger­ard ter Borchs. 2 vols. The Hague: Mar­t­i­nus Nijhoff , 1959 – 60.

Adri­ano Aymoni­no and Anne Var­ick Laud­er et al. Drawn from the Antique: Artists & the Clas­si­cal Ideal. Exh. cat. Teylers Muse­um, Haar­lem, and Sir John Soane’s Muse­um, Lon­don, 2015.

Pieter Bies­boer et al. Nico­laes Berchem: In the Light of Italy. Exh. cat. Frans Hals Muse­um, Haar­lem, Kun­sthaus, Zürich, and Staatlich­es Muse­um, Schw­erin, 2006 – 07.

Michael Hall. ​“Recon­sid­er­a­tions of Sculp­ture by Leonar­do da Vinci: A Bronze Stat­uette in the J.B. Speed Art Muse­um.” J.B. Speed Muse­um Art Muse­um Bul­letin 29 (1973), 7 – 59.

D. Han­nema. Cat­a­logue of the H.E. ten Cate Col­lec­tion. 2 vols. Rot­ter­dam: Ad Donker, 1955.

Egbert Haverkamp-Bege­mann and Anne-Marie Logan. Euro­pean Draw­ings and Water­col­ors in the Yale Uni­ver­si­ty Art Gallery, 1500 – 1900. 2 vols. New Haven: Yale Uni­ver­si­ty Press, 1970.

Egbert Haverkamp-Bege­mann. Willem Buytewech. Ams­ter­dam: Menno Hertzberg­er, 1959.

Egbert Haverkamp-Bege­mann. ​“The Youth­ful Work of Andries Both: His Land­scape Draw­ings.” Print Review 5 (1976), 88 – 95.

Egbert Haverkamp-Bege­mann et al. The Robert Lehman Col­lec­tion VII. Fif­teenth- to Eigh­teenth-Cen­tu­ry Euro­pean Draw­ings: Cen­tral Europe, The Nether­lands, France, Eng­land. New York: Met­ro­pol­i­tan Muse­um of Art, 1999.

P. Haverko­rn van Rijswijk. ​“Willem van de Velde de Oude, zijn leven en zijn werk.” Oud Hol­land 16:2 (1898), 65 – 78.

John Haw­ley and Mar­leen Ram. ​“Recon­struct­ing a cut-up sheet by Cor­nelis Viss­ch­er.” Mas­ter Draw­ings 56 (2018), 183 – 92.

John Haw­ley. ​“An Intro­duc­tion to the Life and Draw­ings of Jan de Viss­ch­er.” Mas­ter Draw­ings 52:1 (2014), 59 – 94.

John Haw­ley. The Draw­ings of Cor­nelis Viss­ch­er (1628/29– 1658). Ph.D. dis­ser­ta­tion, Uni­ver­si­ty of Vir­ginia, 2015.

Edward Hea­wood. Water­marks, Main­ly of the 17th and 18th Cen­turies. Hil­ver­sum: Paper Pub­li­ca­tions Soci­ety, 1950.

Julius S. Held. Rem­brandt and the Book of Tobit. Northamp­ton: Gehen­na Press, 1964.

M.-D. Henkel. Le Dessin Hol­landais: Des Orig­ine au XVIIe Siè­cle. Paris: G. van Oest, 1931.

Arthur M. Hind. Cat­a­logue of Draw­ings by Dutch and Flem­ish Artists Pre­served in the Depart­ment of Prints and Draw­ings in the British Muse­um. 5 vols. Lon­don: British Muse­um, 1915 – 32.

Erik Hin­ter­d­ing. Rem­brandt as an etch­er: The prac­tice of pro­duc­tion and dis­tri­b­u­tion. 3 vols. Oud­erk­erk aan den IJs­sel: Sound & Vision, 2006.

Dag­mar Hirschfelder. Tron­ie und Porträt in der nieder­ländis­chen Malerei des 17. Jahrhun­derts. Berlin: Gebr. Mann, 2008.

C. Hof­st­ede de Groot. Die Handze­ich­nun­gen Rem­brandts. Haar­lem: F. Bohn, 1906.

F.W.H. Holl­stein et al. Dutch and Flem­ish Etch­ings, Engrav­ings, and Wood­cuts, ca. 1450 – 1700. Var­i­ous pub­lish­ers, 1949 – 2010.

G.J. Hoogew­erff. Ned­er­land­sche kun­ste­naars te Rome (1600 – 1725): Uit­trek­sels uit de parochiale archieven. The Hague: Alge­meene Lands­drukker­ij, 1942.

G.J. Hoogew­erff. De Bentvueghels. The Hague: Mar­t­i­nus Nijhoff, 1952.

Mari­ta Horster. ​“Der Min­er­vatem­pel auf dem Forum Tran­si­to­ri­um in Zeich­nun­gen der Renais­sance.” Mit­teilun­gen des Kun­sthis­torischen Insti­tutes in Flo­renz 28 (1984), 133 – 72.

Arnold Houbrak­en. De Groote Schouburgh der Ned­er­lantsche Kon­stschilders en Schilder­essen. 3 vols. 2nd ed. The Hague: J. Swart, C. Bouc­quet, and M. Gail­lard, 1753. [Fac­sim­i­le reprint, Ams­ter­dam: B.M. Israël, 1976]. First pub­lished 1718 – 21.

Chris­t­ian Hülsen and Her­mann Egger. Die Römis­chen Skizzen­büch­er van Maarten van Heemsker­ck in Kön­inglichen Kupfer­stichk­abi­nett zu Berlin. 2 vols. Berlin: Bard, 1913 – 16. [Fac­sim­i­le reprint, Soest: Dava­co, 1975].

Linda C. Hults. The Witch as Muse: Art, Gen­der, and Power in Early Mod­ern Europe. Philadel­phia: Uni­ver­si­ty of Penn­syl­va­nia Press, 2005.

Con­stan­ti­jn Huy­gens. Mijn jeugd. Trans­lat­ed by C.L. Heesakkers. Ams­ter­dam: Queri­do, 1987.

Jonathan Israel. The Dutch Repub­lic: Its Rise, Great­ness, and Fall 1477 – 1806. Oxford: Claren­don, 1995.

Michael Jaffé. The Devon­shire Col­lec­tion of North­ern Euro­pean Draw­ings. 5 vols. Turin: Umber­to Alle­man­di, 2002.

Alex Janeck. Unter­such­nung über den hol­ländis­chen Maler Pieter van Laer, genan­nt Bam­boc­cio. Ph.D. dis­ser­ta­tion, Julius-Max­i­m­il­ians-Uni­ver­sität Würzburg, 1968.

Alex Janeck. ​“Nat­u­ral­is­mus und Real­is­mus. Unter­suchun­gen zur Darstel­lung der Natur bei Pieter van Lae rund Claude Lor­rain.” Sto­ria dell’Arte 28 (1976), 285 – 307.

Guido Jansen and Ger Lui­jten. Ital­ian­isan­ten en bam­boc­cianten: Het ital­ianis­erend land­schap en genre door Ned­er­landse kun­ste­naars uit de zeven­tiende eeuw. Rot­ter­dam: Muse­um Boy­mans-van Beunin­gen, 1988.

Guido Jansen. ​“Addi­tions to God­fried Schalken’s Oeu­vre as a Drafts­man.” Hoog­st­ed­er-Nau­mann Mer­cury 13/14 (1992), 74 – 80.

Guido M.C. Jansen. Review of Nico­laes Berchem: In the Light of Italy by Pieter Bies­boer et al. Burling­ton Mag­a­zine 149:1250 (2007), 354 – 56.

Renske E. Jelle­ma and Michiel Plomp. Epis­copius. Jan de Biss­chop (1628 – 1671): Advo­caat en teke­naar. Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, 1992.

Anna Jolly. ​“Nether­lan­dish Sculp­tors in Six­teenth-Cen­tu­ry North­ern Ger­many and Their Patrons.” Simi­o­lus 27:3 (1999), 119 – 43.

Michiel Jonker and Elli­noor Bergvelt. Dutch and Flem­ish Paint­ings: Dul­wich Pic­ture Gallery. Lon­don: Dul­wich Pic­ture Gallery, 2016.

Chris­ti­aan Josi. Col­lec­tion d’im­i­ta­tion de dessins d’après les prin­ci­paux Maîtres hol­lan­dois et fla­mands, com­mence par Ploos van Ams­tel, con­tin­ue et portée au nom­bre de Cent Morceaux, avec Ren­seigne­ments his­toriques et detail­lés sur ces Maître et sur leurs Ouvrages. 2 vols. Lon­don, 1821.

Jud­son 1973 J. Richard Jud­son. The Draw­ings of Jacob de Gheyn II. New York: Gross­man, 1973.

B.S. Kahn-Ger­zon. ​“Biografis­che gegevens over Anthonie Water­loo.” Oud Hol­land 106:2 (1992), 94 – 98.

Mad­lyn Mill­ner Kahr. ​“Ver­meer’s Girl Asleep: A Moral Emblem.” Met­ro­pol­i­tan Muse­um Jour­nal 6 (1972), 115 – 32.

Sander Karst. ​“Off to a new Cock­aigne: Dutch migrant artists in Lon­don, 1660 – 1715.” Simi­o­lus 37:1 (2013 – 14), 25 – 60.

Elis­a­beth Kess­ing. ​“De broers Huy­gens en Jan de Biss­chop.” Kro­niek van het Rem­brandthuis 1 (1993), 3 – 11.

Thomas Ketelsen, Oliv­er Hahn, and Petra KuhlmannHod­ick, eds. Zeich­nen im Zeital­ter Bruegels: Die nieder­ländis­chen Zeich­nun­gen des 16. Jahrhun­derts im Dres­d­ner Kupfer­stich-Kabi­nett – Beiträge zu einer Typolo­gie. Dres­den: Kupfer­stich-Kabi­nett, Staatliche Kun­st­samm­lun­gen, 2011.

Ali­son McNeil Ket­ter­ing. Draw­ings from the Ter Borch Stu­dio Estate. Cat­a­logue of the Dutch and Flem­ish Draw­ings in the Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam: Vol­ume V. 2 vols. The Hague: Staat­suigev­er­ij, 1988.

Ali­son McNeil Ket­ter­ing. ​“Ter Borch’s Ladies in Satin.” Art His­to­ry 16 (1993), 95 – 124.

Ali­son M. Ket­ter­ing. ​“Rem­brandt and the Male Nude.” In: Aem­u­la­tio: Imi­ta­tion, emu­la­tion and inven­tion in Nether­lan­disch art from 1500 to 1800. Essays in honor of Eric Jan Slui­jter. Anton A.W. Boschloo et al., eds. Zwolle, 2011, 248 – 62.

George Keyes. Cor­nelis Vroom: Marine and Land­scape Artist. 2 vols. Alphen aan den Rijn: Canalet­to, 1975.

George Keyes. ​“Hen­drick and Cor­nelis Vroom: Adden­da.” Mas­ter Draw­ings 20:2 (1982), 115 – 24, 169 – 78.

George S. Keyes. Esa­ias van den Velde 1587 – 1630. Doorn­spijk: Dava­co, 1984.

George Keyes. ​“Esa­ias van de Velde and the Chalk Sketch.” Ned­er­lands Kun­sthis­torisch Jaar­boek 38 (1987), 136 – 45.

George S. Keyes et al. Mas­ters of Dutch Paint­ing: The Detroit Insti­tute of Arts. Detroit: Detroit Insti­tute of Arts, 2004.

Jen­nifer M. Kil­ian. The Paint­ings of Karel Du Jardin 1626– 1678: Cat­a­logue Raison­né. Ams­ter­dam: John Ben­jamins, 2015.

Michael Kit­son. Rem­brandt. 3rd ed. Lon­don: Phaidon, 1992.

Rudolf Kless­mann. ​“Rem­brandt’s ​‘Noli me tan­gere’ – Mit den Augen eines Dichters gese­hen.” Niederdeutsche Beiträge zur Kun­st­geschichte 27 (1988), 89 – 100.

Wouter Kloek. ​“The draw­ings of Lucas van Ley­den.” Ned­er­lands Kun­sthis­torisch Jaar­boek 29 (1978), 425 – 58.

Wouter Kloek. ​“Met Roe­lant Rogh­man naar de Haar­lem­mer­poort.” In: De ver­beelde wereld: Liber ami­co­rum voor Boudewi­jn Bakker. J.E. Abra­hamse et al., eds. Bus­sum: Thoth, 2008, 65 – 75.

Eck­hart Knab. ​“Willem Romei­jn: ​‘Een gesicht van Tivoli naer Romen’.” Mas­ter Draw­ings 2:2 (1964): 163 – 68, 216 – 20.

Anna C. Knapp. ​“From Lowlife to Rus­tic Idyll: The Peas­ant Genre in 17th-Cen­tu­ry Dutch Draw­ings and Prints.” Har­vard Uni­ver­si­ty Art Muse­ums Bul­letin 4:2 (1996), 30 – 59.

Gerd Unver­fehrt et al. Zeich­nun­gen von Meis­ter­hand: Die Samm­lung Uffen­bach aus der Kun­st­samm­lung der Uni­ver­sität Göt­tin­gen. Exh. cat. Mit­tel­rhein-Muse­um, Koblenz, Kun­st­samm­lung der Uni­ver­sität, Göt­tin­gen, Lan­desmu­se­um für Kunst und Kul­turgeschichte, Old­en­burg, and His­torisches Muse­um, Frank­furt am Main, 2000.

Erna Kok. Netwerk­ende kun­ste­naars in de Gouden Eeuw: De suc­cesvolle loop­ba­nen van Govert Flinck en Fer­di­nand Bol. Hil­ver­sum: Ver­loren, 2016.

Michiel Kool­ber­gen. In de ban van Bomar­zo: Het won­der­lijk­ste beelden­park van Europa als inspi­ratiebron voor de kun­ste­naars. Ams­ter­dam: Van Dobben­burgh, 1984.

Chris­ti­aan Kramm. De lev­ens en werken der Hol­land­sche en Flaam­sche Kun­stschilders, Beeld­houw­ers, Graveurs, en Bouwmeesters, van de vroeg­sten tot op onze tijd. 7 vols. Ams­ter­dam: Gebroed­ers Diederichs, 1857 – 64.

León Krem­pel. Stu­di­en zu den datierten Gemälden des Nico­laes Maes (1634 – 1693). Peters­berg: Michael Imhof, 2000.

León Krem­pel. Hol­ländis­che Gemälde im Städel 1550 – 1800. Band 2: Kün­stler geboren 1615 bis 1630. Peters­berg: Michael Imhof, 2005.

Thomas Kren. Jan Miel (1599 – 1664): A Flem­ish Painter in Rome. Ph.D. dis­ser­ta­tion, Prince­ton Uni­ver­si­ty, 1979.

Ernst Kris and Otto Kurz. Leg­end, Myth, and Magic in the Image of the Artist. New Haven & Lon­don: Yale Uni­ver­si­ty Press, 1979.

Susan Don­ahue Kuret­sky. ​“Rembrandt’s Cat.” In: Aem­u­la­tio: Imi­ta­tion, emu­la­tion and inven­tion in Nether­lan­dish art from 1500 to 1800. Essays in honor of Eric Jan Slui­jter. Zwolle, 2011, 263 – 74.

Susan Don­ahue Kuret­sky. ​“Light and Sight in ter Brugghen’s Man Writ­ing by Can­dle­light.” JHNA 9:1 (2017) DOI: 10.5092/jhna.2017.9.1.4.

G.H. Kurtz. ​“Nog eens: Bod­ding (Van Laer).” Oud Hol­land 73 (1958), 231 – 32.

A. Kuyper. ​“Twee tekenin­gen door Her­man Nauwincx.” Leids Kun­sthis­torisch Jaar­boek (1984), 237 – 42.

Michael Kwakkel­stein. Willem Goeree, Inley­dinge tot de Alghe­meene Tey­ck­en-Konst: Een kri­tis­che gean­no­teerde edi­tie. Lei­den: Pri­mav­era, 1998.

Deb­o­rah La Cam­era. ​“Crys­tal For­ma­tions With­in Iron Gall Inks: Obser­va­tions and Analy­sis.” Jour­nal of the Amer­i­can Insti­tute for Con­ser­va­tion 46:2 (2007), 153 – 74.

Roldol­fo Lan­ciani. The destruc­tion of ancient Rome: A sketch of the his­to­ry of the mon­u­ments. Lon­don: Macmil­lan, 1901.

Karla Langedijk. Die Selb­st­bild­nisse der Hol­ländis­chen und flämis­chen Kün­stler in der Galerie degli Autori­trat­ti der Uffizien in Flo­rence. Flo­rence: Edi­zioni Medicea, 1992.

Ned­er­landse Tekenin­gen, Col­lec­tie Hans van Leeuwen. Exh. cat. Singer Muse­um, Laren, 1963.

Theo Lau­ren­tius and Frans Lau­ren­tius. Water­marks 1600 – 1650 found in the Zee­land Archives. Houten: Hes & De Graaf, 2007.

Theo Lau­ren­tius and Frans Lau­ren­tius. Water­marks 1650 – 1700 found in the Zee­land Archives. Houten: Hes & De Graaf, 2008.

Th. Lau­ren­tius, J.W. Niemei­jer, and G. Ploos van Ams­tel. Cor­nelis Ploos van Ams­tel 1726 – 1798: Kun­stverza­me­laar en pren­tu­it­gev­er. Assen: Van Gor­cum, 1980.

Huigen Leeflang. Review of Jour­ney through Land­scape in Sev­en­teenth-Cen­tu­ry Hol­land: The Haar­lem Print Series and Dutch Iden­ti­ty by Cather­ine Levesque. Simi­o­lus 23:4 (1995), 273 – 80.

Huigen Leeflang. ​“Dutch land­scape: The urban view. Haar­lem and its envi­rons in lit­er­a­ture and art, 15th – 17th cen­tu­ry.” Ned­er­lands Kun­sthis­torisch Jaar­boek 48 (1997), 52 – 115.

Ten­toon­stelling Oude Tekenin­gen uit Drie Eeuwen, Col­lec­tie Hans van Leeuwen. Exh. cat. Muse­um Princesse­hof, Leeuwar­den, 1966.

Chris­ti­aan Voge­laar et al. Jan van Goyen. Exh. cat. Stedelijk Muse­um De Lak­en­hal, Lei­den, 1996.

Chris­t­ian Voge­laar et al. Lucas van Ley­den en de Renais­sance. Exh. cat. Muse­um De Lak­en­hal, Lei­den, 2011.

David A. Levine. The Art of the Bam­boc­cianti. Ph.D. dis­ser­ta­tion, Prince­ton Uni­ver­si­ty, 1984.

Wal­ter Liedtke. ​“Cot­tage indus­try: Some Haar­lem land­scapes of the early sev­en­teenth cen­tu­ry.” Apol­lo 158 (2003), 21 – 31.

Wal­ter Liedtke. Dutch Paint­ings in the Met­ro­pol­i­tan Muse­um of Art. 2 vols. New York: Met­ro­pol­i­tan Muse­um of Art, 2007.

Julia Lloyd Williams. Dutch Art and Scot­land: A Reflec­tion of Taste. Edin­burgh: Nation­al Gallery of Scot­land, 1992.

Mar­tin Roy­al­ton-Kisch. The Light of Nature: Land­scape Draw­ings and Water­col­ors by Van Dyck and his Con­tem­po­raries. Exh. cat. British Muse­um, Lon­don, and Ruben­shuis, Antwerp, 1999.

Peter C. Sut­ton. Pieter de Hooch, 1629 – 1684. Exh. cat. Dul­wich Pic­ture Gallery, Lon­don, and Wadsworth Atheneum, Hart­ford, 1998 – 99.

Jonny Yark­er and Richard Stephens. The Spir­it & Force of Art: Draw­ing in Britain 1600 – 1750. Deal­er cat. Low­ell Lib­son & Jonny Yark­er, 2018.

Orig­i­nal Draw­ings by Old Mas­ters of the Dutch School in the Col­lec­tion of J.P.H. [John Pos­tle Hes­el­tine]. Lon­don, Pri­vate­ly Print­ed, 1910.

Some Orig­i­nal Draw­ings by Ancient and Mod­ern Artists of Var­i­ous Schools, Remain­ing in the Col­lec­tion of J.P.H. [John Pos­tle Hes­el­tine]. Lon­don: Pri­vate­ly Print­ed, 1917.

Exhi­bi­tion of Old Mas­ter Draw­ings. Deal­er cat., W.R. Jeud­wine, at the Alpine Club Gallery, Lon­don, 1966.

Christo­pher Brown. Dutch Land­scape: The Early Years, Haar­lem and Ams­ter­dam 1590 – 1650. Exh. cat. Nation­al Gallery of Art, Lon­don, 1986.

Christo­pher Brown. Dutch Land­scape: The Early Years, Haar­lem and Ams­ter­dam 1590 – 1650. Exh. cat. Nation­al Gallery of Art, Lon­don, 1986.

Lau­rie B. Har­wood. Inspired by Italy: Dutch Land­scape Paint­ing 1600 – 1700. Exh. cat. Dul­wich Pic­ture Gallery, Lon­don, 2002.

Philip Pouncey et al. Old Mas­ter Draw­ings from the Col­lec­tion of Mr. C.R. Rudolf. Exh. cat. The Arts Coun­cil, Lon­don, City Muse­um & Art Gallery, Birm­ing­ham, and Leeds City Art Gallery, Leeds, 1962.

William W. Robin­son. Bruegel to Rem­brandt: Dutch and Flem­ish Draw­ings from the Maida and George Abrams Col­lec­tion. Exh. cat. British Muse­um, Lon­don, Insti­tut Néer­landais, Paris, and Fogg Art Muse­um, Cam­bridge, Mass., 2002 – 03.

Car­los van Has­selt and Roger d’Hulst. Dessins Fla­mands du Dix-Sep­tieme Siecle: Col­lec­tion Frits Lugt, Insti­tut Néer­landais, Paris. Exh. cat. Vic­to­ria and Albert Muse­um, Lon­don, Insti­tut Néer­landais, Paris, Musée des BeauxArts, Bern, and Bib­lio­theque Albert Ier, Brus­sels, 1972 – 73

Holm Bev­ers et al. Draw­ings by Rem­brandt and His Pupils: Telling the Dif­fer­ence. Exh. cat. J. Paul Getty Muse­um, Los Ange­les, 2009 – 10.

Sey­mour Slive. Jacob van Ruis­dael: Mas­ter of Land­scape. Exh. cat. Los Ange­les Coun­ty Muse­um of Art, Los Ange­les, Philadel­phia Muse­um of Art, Philadel­phia, and Royal Acad­e­my of Arts, Lon­don, 2005 – 06.

Machteld Löwen­steyn. ​“Helse hebzucht en wereldse welust. Een icono­grafis­che inter­pre­ta­tive van enkele hek­sen­voorstellin­gen van Jacques de Gheyn II.” Volk­skundig Bul­letin 12 (1986), 241 – 261.

Machteld Löwen­steyn. ​“A sin­gu­lar design: A newly dis­cov­ered draw­ing by Jacques de Gheyn II.” Burling­ton Mag­a­zine 153:1295 (2011), 81 – 85.

Manuela Kahn-Rossi, ed. Itin­er­ari sub­li­mi: Viag­gi d’artisti tra il 1750 e il 1850. Exh. cat. Museo Can­tonale d’Arte, Lugano, 1998.

Frits Lugt. Les Mar­ques de Col­lec­tions de Dessins & D’Estampes. Ams­ter­dam: Vereenigde Drukker­i­jen, 1921; idem. Les Mar­ques de Col­lec­tion de Dessins & D’E­stam­pes: Sup­plé­ment. The Hague: Mar­t­i­nus Nijhoff, 1956. Online: www​.mar​ques​decol​lec​tion​.fr

Frits Lugt. Wan­delin­gen met Rem­brandt in en om Ams­ter­dam. Ams­ter­dam: P.N. van Kam­p­en & Zoon, 1915.

Frits Lugt. Musée du Lou­vre, Inven­taire gen­er­al des dessins des écoles du Nord: École Hol­landaise. 3 vols. Paris: Musées Nationaux, 1929 – 33.

Frits Lugt. Musée du Lou­vre, Inven­taire gen­er­al des dessins des écoles du Nord: École Fla­mande. 2 vols. Paris: Musées Nationaux, 1949.

Frits Lugt. École Nationale Supérieure des Beaux-Arts Paris: Inven­taire général des dessins des écoles du Nord. Paris: Henri Lau­rens, 1950.

Neil MacLaren. The Dutch School: 1600 – 1900. 2 vols. 2nd ed. Revised and expand­ed by Christo­pher Brown. Lon­don: Nation­al Gallery, 1991.

Börje Mag­nus­son. Dutch Draw­ings in Swedish Pub­lic Col­lec­tions. Stock­holm: National­mu­se­um, 2018.

Sheila McTighe. Rep­re­sent­ing from Life in Sev­en­teenth-Cen­tu­ry Italy. Ams­ter­dam: Ams­ter­dam Uni­ver­si­ty Press, 2020.

D.C. Mei­jer Jr., trans­lat­ed by Tom van der Molen. ​“The Ams­ter­dam Civic Guard Pieces with­in and out­side the New Rijksmu­se­um, Pt. III: Bartholomeus van der Helst.” Jour­nal of the His­to­ri­ans of Nether­lan­dish Art 6:1 (2014). DOI: 10.5092/jhna2014.6.1.4.

Albert Blankert et al. Rem­brandt: A Genius and His Impact. Exh. cat. Nation­al Gallery of Vic­to­ria, Mel­bourne, and Nation­al Gallery of Aus­tralia, Can­ber­ra, 1997 – 1998.

Hes­sel Miede­ma. ​“Over het real­isme in de Ned­er­landse schilderkun­st van de zeven­tiende eeuw: Naar aan­lei­d­ing van een teken­ing van Jacques de Gheyn II (1565 – 1632).” Oud Hol­land 89:1 (1975), 2 – 18.

Hes­sel Miede­ma. De archief­beschei­den van het St. Lukas­gilde te Haar­lem 1497 – 1798. 2 vols. Alphen aan den Rijn: Canalet­to, 1980.

Mar­i­an Bisanz-Prakken. Rem­brandt and His Time: Mas­ter­works from the Alberti­na, Vien­na. Exh. cat. Mil­wau­kee Art Muse­um, Mil­wau­kee, 2005 – 06.

Mary Lee Ben­nett and Agnes Mon­gan. Draw­ings from the David Daniels Col­lec­tion. Exh. cat. Min­neapo­lis Insti­tute of Arts, Min­neapo­lis, Art Insti­tute of Chica­go, Chica­go, Nel­son Gallery — Atkins Muse­um, Kansas City, and Fogg Art Muse­um, Har­vard Uni­ver­si­ty, Cam­bridge, 1968.

George S. Keyes et al. Mir­ror of Empire: Dutch Marine Art of the Sev­en­teenth Cen­tu­ry. Exh. cat. Min­neapo­lis Insti­tute of Arts, Min­neapo­lis, Tole­do Muse­um of Art, Tole­do (OH), and Los Ange­les Coun­ty Muse­um of Art, Los Ange­les, 1990 – 91.

E.W. Moes. ​“Een merk­waardi­ge verza­mel­ing Teekenin­gen.” Oud Hol­land 13:3 (1895), 182 – 192.

John Micheal Mon­tias. Artists and Arti­sans in Delft: A Socio-Eco­nom­ic Study of the Sev­en­teenth-Cen­tu­ry. Prince­ton: Prince­ton Uni­ver­si­ty Press, 1982.

John Michael Mon­tias. Ver­meer and His Milieu: A Web of Social His­to­ry. Prince­ton: Prince­ton Uni­ver­si­ty Press, 1989.

John Michael Mon­tias. ​“A Post­script on Ver­meer and His Milieu.” The Hoog­st­ed­er Mer­cury 12 (1991), 42 – 52.

Irina Antono­va et al. Five Cen­turies of Euro­pean Draw­ings: The For­mer Col­lec­tion of Franz Koenigs. Exh. cat. Pushkin State Muse­um of Fine Arts, Moscow, 1995 – 96.

Jef­frey M. Muller. ​“Rubens’s The­o­ry and Prac­tice of the Imi­ta­tion of Art.” Art Bul­letin 64:2 (1982), 229 – 47.

Holm Bev­ers. Nieder­ländis­che Zeich­nun­gen des 16. Jahrhun­dert in der Staatlichen Graphis­chen Samm­lung München. Exh. cat. Staatliche Graphis­che Samm­lung, Munich, 1989 – 90.

David Scrase and Thea Vig­nau-Wilberg. Das gold­ene Jahrhun­dert: Hol­ländis­che Meis­terze­ich­nun­gen aus dem Fitzwilliam Muse­um Cam­bridge. Exh. cat. Munich, Staatliche Graphis­chen Samm­lung, Hei­del­berg, Kurpfälzis­ches Muse­um, Braun­schweig, Her­zog Anton Ulrich-Muse­um, and Cam­bridge, The Fitzwilliam Muse­um, 1995 – 96.

H.J. Nalis. ​‘Bartholomeus Breen­bergh: Aan­tekenin­gen over zijn leven en ver­wan­ten.’ Ver­sla­gen en Med­edelin­gen Vereenig­ing tot Beoe­fen­ing van Over­i­js­selsch Regt en Geschiede­nis 87 (1972), 62 – 81.

Otto Nau­mann. ​“Frans van Mieris as a Draughts­man.” Mas­ter Draw­ings 16:1 (1978), 3 – 34, 71 – 96.

Otto Nau­mann. Frans van Mieris the Elder (1635 – 1681). 2 vols. Doorn­spijk: Dava­co, 1981.

Frima Fox Hofrichter. Haar­lem: The Sev­en­teenth Cen­tu­ry. Exh. cat. Jane Voorhees Zim­mer­li Art Muse­um, Rut­gers Uni­ver­si­ty, New Brunswick, 1983.

Jan Piet Filedt Kok and Mar­jolein Lees­berg. The New Holl­stein Dutch & Flem­ish Etch­ings, Engrav­ings and Wood­cuts 1450 – 1700: The De Gheyn Fam­i­ly. 2 vols. Rot­ter­dam: Sound & Vision, 2000.

Mar­jolein Lees­berg. The New Holl­stein Dutch & Flem­ish Etch­ings, Engrav­ings and Wood­cuts 1450 – 1700: Hen­drick Goltz­ius. 4 vols. Oud­erk­erk aan den IJs­sel: Sound & Vision, 2012.

Nadine Oren­stein. The New Holl­stein Dutch & Flem­ish Etch­ings Engrav­ings and Wood­cuts 1450 – 1700: Hen­drick Hondius. Roosendaal: Konin­klijke Van Poll, 1994.

Léna Widerkehr. The New Holl­stein Dutch & Flem­ish Etch­ings Engrav­ings and Wood­cuts 1450 – 1700: Jacob Math­am. 3 vols. Oud­erk­erk aan den IJs­sel: Sound & Vision, 2008.

Jan Piet Filedt Kok, with the assis­tance of Bart Cor­nelis and Anneloes Smits. The New Holl­stein Dutch & Flem­ish Etch­ings, Engrav­ings and Wood­cuts 1450 – 1700: Lucas van Ley­den. Rot­ter­dam: Sound & Vision, 1996.

Erik Hin­ter­d­ing and Jaco Rut­gers. The New Holl­stein Dutch & Flem­ish Etch­ings, Engrav­ings and Wood­cuts 1450– 1700: Rem­brandt. 7 vols. Oud­erk­erk aan den IJs­sel: Sound & Vision, 2003.

Clif­ford S. Ack­ley et al. From Michelan­ge­lo to Rem­brandt: Mas­ter Draw­ings from the Teyler Muse­um Exh. cat. Pier­pont Mor­gan Library, New York, and Art Insti­tute of Chica­go, Chica­go, 1989.

Mar­i­an Bisanz-Prakken. Draw­ings from the Alberti­na: Land­scape in the Age of Rem­brandt. Exh. cat. The Draw­ing Cen­ter, New York, and Kim­bell Art Muse­um, Fort Worth, 1995.

Wal­ter Liedtke et al. Ver­meer and the Delft School. Exh. cat. Met­ro­pol­i­tan Muse­um of Art, New York, and Nation­al Gallery, Lon­don, 2001.

Car­los van Has­selt. Rem­brandt and His Cen­tu­ry: Dutch Draw­ings of the Sev­en­teenth Cen­tu­ry from the Col­lec­tion of Frits Lugt. Exh. cat. Pier­pont Mor­gan Library, New York, and Insti­tut Néer­landais, Paris, 1977 – 78.

Abra­ham Bloe­maert 1564 – 1651: Prints and Draw­ings. Exh. cat. Met­ro­pol­i­tan Muse­um of Art, New York, 1973.

Wal­ter Liedtke. The Milk­maid by Johannes Ver­meer. Exh. cat. Met­ro­pol­i­tan Muse­um of Art, New York, 2009.

Stijn Alsteens et al. Raphael to Renoir: Draw­ings from the Col­lec­tion of Jean Bonna. Exh. cat. Met­ro­pol­i­tan Muse­um of Art, New York, 2009.

Jane Shoaf Turn­er. Rembrandt’s World: Dutch Draw­ings from the Clement C. Moore Col­lec­tion. Exh. cat. Mor­gan Library & Muse­um, New York, 2012.

Robert Fucci. Rem­brandt’s Chang­ing Impres­sions. Exh. cat. Miri­am and Ira D. Wal­lach Art Gallery, Colum­bia Uni­ver­si­ty, New York, 2015.

Per Rum­berg, with Holm Bev­ers. Rembrandt’s First Mas­ter­piece. Exh. cat. Mor­gan Library & Muse­um, New York, 2016.

K.G. Boon and Peter Schat­born. Dutch Genre Draw­ings of the Sev­en­teenth Cen­tu­ry. Exh. cat. Pier­pont Mor­gan Library, New York, Muse­um of Fine Arts, Boston, and Art Insti­tute of Chica­go, Chica­go, 1972 – 73.

Ger Lui­jten and A.W.F.M. Meij. From Pisanel­lo to Cézanne: Mas­ter Draw­ings from the Muse­um Boy­mans-van Beunin­gen, Rot­ter­dam. Exh. cat. Pier­pont Mor­gan Library, New York, Kim­bell Art Muse­um, Fort Worth, and Cleve­land Muse­um of Art, Cleve­land, 1990 – 91.

Mar­iët West­er­man et al. Art & Home: Dutch Inte­ri­ors in the Age of Rem­brandt. Exh. cat. Newark Muse­um, Newark, and Den­ver Art Muse­um, Den­ver, 2001 – 02.

Lawrence W. Nichols. ​“The ​‘Pen Works’ of Hen­drick Goltz­ius.” Philadel­phia Muse­um of Art Bul­letin 88 (1992), 4 – 56.

J.W. Niemei­jer, ​“Het topografisch ele­ment in enkele riv­iergezicht­en van Salomon van Ruys­dael nader beschouwd,” Oud Hol­land 74 (1959), 51 – 56.

M. van Boven. Tekenin­gen uit de col­lec­tie Hans van Leeuwen. Exh. cat. Waag Muse­um, Nijmegen, 1965.

Eliz­a­beth Ann Nogrady. Abra­ham Bloe­maert (1566 – 1651), the ​“Nether­lan­dish Acad­e­my” and Artis­tic Col­lab­o­ra­tion in sev­en­teenth-cen­tu­ry Utrecht. Ph.D. dis­ser­ta­tion, Insti­tute of Fine Arts, New York Uni­ver­si­ty, 2009.

Ger­linde Lütke Notarp. ​“Jacques de Gheyn II’s ​‘Man Rest­ing in a Field’: An Essay on the Iconog­ra­phy of Melan­choly.” Simi­o­lus 24:4 (1996), 311 – 19.

Fr.D.O. Obreen. Archief voor Ned­er­land­sche kun­st­geschiede­nis. 7 vols. Rot­ter­dam: W.J. van Hen­gel, 1877 – 90.

Lisa Oehler. Staatliche Kun­st­samm­lun­gen Kas­sel Kupfer­stichk­abi­nett, Schloß Wil­helmshöhe, Kat­a­log 1: Nierder­ländis­che Zeich­nun­gen des 16. Bis 18. Jahrhun­derts. Fridin­gen: Graf Kle­nau, 1979.

Lisa Oehler. Rom in der Graphik des 16. bis 18. Jahrhun­derts: Ein nieder­ländis­ch­er Zeich­nungs­band der Graphis­chen Samm­lung Kas­sel und seine Motive im Ver­gle­ich. Berlin: Gebr. Mann, 1997.

Nadine M. Oren­stein. Hen­drick Hondius (Duf­fel 1573 — The Hague 1650) and the Busi­ness of Prints. Ph.D. dis­ser­ta­tion, New York Uni­ver­si­ty, Insti­tute of Fine Arts, 1992.

Nadine M. Oren­stein. Hen­drick Hondius and the Busi­ness of Prints in Sev­en­teenth-Cen­tu­ry Hol­land. Rot­ter­dam: Sound & Vision, 1996.

Lelia Pack­er. Imi­ta­tion and Inno­va­tion in Mate­ri­als in Early Mod­ern North­ern Euro­pean Art: Pen Prints, Pen Draw­ings, and Pen Paint­ings, c. 1580-c. 1670. Ph.D. dis­ser­ta­tion, New York Uni­ver­si­ty, Insti­tute of Fine Arts, 2012.

Lelia Pack­er. ​“Drawn Copies by Hen­drick Hondius and Oth­ers After Prints by Lucas van Ley­den.” Mas­ter Draw­ings 53:2 (2015), 191 – 206.

Emmanuelle Brugerolles et al. Car­nets d’études 23: Rem­brandt et son entourage. Exh. cat. École nationale supérieure des beaux-arts, Paris, and Palais Fesch – Musée des Beaux-Arts, Ajac­cio, 2012 – 14.

Erik Spaans. Tour de France 1646: Le Val de Loire en dessins / De Loire vallei getek­end door Rem­brandts tijdgenoten. Exh. cat. Fon­da­tion Cus­to­dia, Paris, and Muse­um Het Rem­brandthuis, Ams­ter­dam, 2006 – 07.

Car­los van Has­selt et al. Dessins Fla­mands et Hol­landais du Dix-Sep­tième Siè­cle. Exh. cat. Insti­tut Néer­landais, Paris, 1974.

Car­los van Has­selt and Mària van Berge-Ger­baud. Le Héraut du Dix-Sep­tième Siè­cle: Dessins et Gravures de Jacques de Gheyn II et III. Exh. cat. Fon­da­tion Cus­to­dia, Insti­tut Néer­landais, Paris, 1985.

Emmanuel Star­cky and Mene­hould de Baze­laire. Rem­brandt et son école, dessins du Musée du Lou­vre. Exh. cat. Musée du Lou­vre, Paris, 1988 – 89.

Car­los van Has­selt and Maria van Berge-Gebaud. Éloge de la nav­i­ga­tion hol­landaise au XVIIe siè­cle. Exh. cat. Insti­tut Néer­landais, Paris, 1989.

Peter Schat­born et al. Rem­brandt dessi­na­teur: Chefsd’oeuvre des col­lec­tions en France. Exh. cat. Musée du Lou­vre, Paris, 2006 – 07.

José de Los Llanos, Émi­lie Beck Saiel­lo, and Jean-Luc Ryaux. Tivoli: Vari­a­tions sur un paysage au XVI­I­Ie siè­cle. Exh. cat. Musée Cognacq-Jay, Paris, 2010 – 11.

Felice Stampfle. Rubens and Rem­brandt in Their Cen­tu­ry: Flem­ish & Dutch Draw­ings of the 17th Cen­tu­ry from The Pier­pont Mor­gan Library. Exh. cat. Insti­tut Néer­landais, Paris, Konin­klijk Muse­um voor Schone Kun­sten, Antwerp, The British Muse­um, Lon­don, and The Pier­pont Mor­gan Library, New York, 1979 – 80.

Adri­aan E. Wai­boer. Vermeer and the Mas­ters of Genre Paint­ing: Inspi­ra­tion and Rival­ry. Exh. cat. Musée du Lou­vre, Paris, Nation­al Gallery of Ire­land, Dublin, and Nation­al Gallery of Art, Wash­ing­ton, 2017 – 18.

Lloyd Dewitt et al. Rem­brandt and the Face of Jesus. Exh. cat. Musée du Lou­vre, Paris, Philadel­phia Muse­um of Art, Philadel­phia, and Detroit Insti­tute of Arts, Detroit, 2011 – 12.

Yvonne Bley­erveld, Albert J. Elen and Judith Niessen et al. Bosch to Bloe­maert: Early Nether­lan­dish Draw­ings in Muse­um Boi­j­mans Van Beunin­gen, Rot­ter­dam. Exh. cat. Fon­da­tion Cus­to­dia, Paris, Muse­um Boi­j­mans Van Beunin­gen, Rot­ter­dam, and Nation­al Gallery of Art, Wash­ing­ton, 2014 – 15.

K.T. Park­er. Cat­a­logue of the Col­lec­tion of Draw­ings in the Ash­molean Muse­um. Vol­ume I: Nether­lan­dish, Ger­man, French and Span­ish Schools. Oxford: Claren­don Press, 1938.

Jacob Hess, ed. Die Kün­stler­bi­ogra­phien von Gio­van­ni Bat­tista Passeri. Leipzig & Vien­na: Hein­rich Keller & Anton Schroll, 1934.

Shel­don Peck, with a con­tri­bu­tion by Franklin W. Robin­son. Rem­brandt Draw­ings: Twen­ty-five Years in the Peck Col­lec­tion. Boston: Pri­vate­ly print­ed, 2003.

Guy Pep­pi­att Fine Art and Stephen Ong­pin Fine Art. One Hun­dred Draw­ings and Water­colours. Lon­don, 2011 – 12.

Shel­ley Perlove and George S. Keyes, eds. Sev­en­teenth-Cen­tu­ry Euro­pean Draw­ings in Mid­west­ern Col­lec­tions: The Age of Berni­ni, Rem­brandt, and Poussin. Notre Dame: Uni­ver­si­ty of Notre Dame Press, 2015.

Shel­ley Karen Perlove and Larry Sil­ver. Rembrandt’s Faith: Church and Tem­ple in the Dutch Gold­en Age. Uni­ver­si­ty Park: Penn State Uni­ver­si­ty Press, 2009.

Michiel Plomp. The Dutch Draw­ings in the Teyler Muse­um, Vol­ume II: Artists born between 1575 and 1630. Haar­lem: Teyler Muse­um, 1997.

Michiel C. Plomp. Hart­stochtelijk Verza­meld: 18de-eeuwse Hol­landse verza­me­laars van tekenin­gen en hun col­lec­ties. Paris: Fon­da­tion Cus­to­dia, 2001.

Michiel C. Plomp. ​“Ger­brand van den Eeck­hout’s Illus­tra­tions for Adri­aen van Haem­st­ede’s Books of Mar­tyrs of 1657 and 1659.” Burling­ton Mag­a­zine 148:1236 (2006), 180 – 86.

Michiel Plomp. ​“Artist Col­lec­tors: Rem­brandt and His Time.” In: A Demand for Draw­ings: Five Cen­turies of Col­lec­tors and Col­lect­ing Draw­ings. John Mar­cia­ri, ed. New York: The Draw­ing Insti­tute, Mor­gan Library & Muse­um, 2018.

Wolf­gang Ste­chow, ed. Dutch Man­ner­ism: Apogee and Epi­logue. Exh. cat. Vas­sar Col­lege Art Gallery, Pough­keep­sie, 1970.

Susan Don­ahue Kuret­sky et al. Time and Trans­for­ma­tion in Sev­en­teenth-Cen­tu­ry Dutch Art. Exh. cat. Frances Lehman Loeb Art Cen­ter, Vas­sar Col­lege, Pough­keep­sie, John and Mable Rin­gling Muse­um of Art, Sara­so­ta, and Speed Art Muse­um, Louisville, 2005 – 06.

R.B. Prud’homme van Reine et al. Ter navol­ging: Mar­i­tieme kunst en curiosa uit de Kweekschool voor de Zee­vaart. Ams­ter­dam: Vereenig­ing Ned­er­land­sch His­torisch Scheep­vaart Muse­um, 1992.

Antho­ny Rad­cliffe. ​“Schardt, Tetrode, and Some Pos­si­ble Sculp­tur­al Sources for Goltz­ius.” In: Nether­lan­dish Man­ner­ism: Papers Given at a Sym­po­sium in National­mu­se­um Stock­holm, Sep­tem­ber 21 – 22, 1984. Görel Cav­al­li-Björk­man, ed. Stock­holm: National­mu­se­um, 1985, 97 – 108.

Abra­ham Rade­mak­er. Kabi­net van Ned­er­land­sche out­he­den en gezicht­en. 2 vols. Ams­ter­dam: Willem Bar­ents, 1725. [Fac­sim­i­le reprint, Haar­lem: Schuyt, 1975].

Hans-Joachim Raupp. Unter­suchun­gen zu Kün­stler­bild­nis und Kün­stler­darstel­lung in den Nieder­lan­den im 17. Jahrhun­dert. Hildesheim: Georg Olms, 1984.

Sophie Raux. Lot­ter­ies, Art Mar­kets, and Visu­al Cul­ture in the Low Coun­tries, 15th – 17th Cen­turies. Lei­den: Brill, 2018.

Stephen Reiss. Ael­bert Cuyp. Lon­don: Zwem­mer, 1975.

Henry Sci­pio Reitlinger. Old Mas­ter Draw­ings: A Hand­book for Ama­teurs and Col­lec­tors. Lon­don: Con­sta­ble, 1922.

J. Bruyn et al. A Cor­pus of Rem­brandt Paint­ings. 6 vols. Var­i­ous pub­lish­ers, 1982 – 2014.

J.G.W. Renaud. ​“De icono­grafie van het slot Egmond.” Maand­blad voor beeldende kun­sten 17 (1940), 338 – 45.

J.G.N. Renaud. ​“Span­gen en de Van der Spangen’s.” Rot­ter­damsch Jaar­boek­je, 5th series, 1 (1943), 203 – 12.

J.G.N. Renaud. ​“Vond­sten van Span­gen.” Rot­ter­damsch Jaar­boek­je, 6th series, 1 (1953), 112 – 29.

Anke Repp-Eck­ert. ​“Antikes Forum mit einem Tri­umphzug: Jacob van der Ulfts Gemälde aus Meinin­gen nach Köln zurück­gekehrt.” Köl­ner Muse­ums-Bul­letin 1 (1989), 23 – 32.

E.K.J. Reznicek. Die Zeich­nun­gen von Hen­drick Goltz­ius. 2 vols. Utrecht: Haen­t­jens Dekker & Gum­bert, 1961.

Nieder­ländis­che Zeich­nun­gen des 17. – 19. Jahrhun­derts aus der Samm­lung Hans van Leeuwen. Exh. cat. Städtis­ches Muse­um Schloss Rhey­dt, Rhey­dt, 1971.

Denis Ribouil­lault. ​“Regur­gi­tat­ing Nature: On a Cel­e­brat­ed Anec­dote by Karel van Man­der about Pieter Bruegel the Elder.” Jour­nal of the His­to­ri­ans of Nether­lan­dish Art 8:1 (2016). DOI: 10.5092/jhna.2016.8.1.4

Tim­o­thy Riggs. Hierony­mus Cock: Print­mak­er and Pub­lish­er. New York: Gar­land, 1977.

Jan Rinze­ma et al. De Witte Kerk: Bron door de eeuwen heen. Lei­den: Erf­goed Lei­den en omstreken, 2000.

Hella Robels. Nieder­ländis­che Zeich­nun­gen vom 15. Bis 19. Jahrhun­dert im Wall­raf-Richartz-Muse­um Köln. Cologne: Wall­raf-Richartz-Muse­um, 1983.

M.S. Robin­son and Richard E.J. Weber. The Willem van de Velde Draw­ings in the Boy­mans-Van Beunin­gen Muse­um, Rot­ter­dam. 3 vols. Rot­ter­dam: Muse­um Boy­mans-Van Beunin­gen, 1979.

M.S. Robin­son. Van de Velde Draw­ings: A Cat­a­logue of Draw­ings in the Nation­al Mar­itime Muse­um Made by the Elder and Younger Willem van de Velde. 2 vols. Cam­bridge: Cam­bridge Uni­ver­si­ty Press, 1958 (vol. 1, reprint­ed 1973) and 1974 (vol. 2).

William W. Robin­son. ​“Prepara­to­ry Draw­ings by Adri­aen van de Velde.” Mas­ter Draw­ings 17:1 (1979), 3 – 23, 57 – 69.

William W. Robin­son. ​“Nico­laes Maes as a Draughts­man.” Mas­ter Draw­ings 27:2 (1989), 146 – 162.

William W. Robin­son. ​“Early Draw­ings by Joris van der Haa­gen.” Mas­ter Draw­ings 28:3 (1990), 303 – 309.

William W. Robin­son. The Early Works of Nico­laes Maes, 1653 to 1661. Ph.D. dis­ser­ta­tion, Har­vard Uni­ver­si­ty, 1996.

William W. Robin­son. ​“Five Black Chalk Fig­ure Stud­ies by Rem­brandt.” Mas­ter Draw­ings 36:1 (1998), 36 – 45.

William W. Robin­son. ​“Anoth­er Early Draw­ing by Joris van der Haa­gen.” Mas­ter Draw­ings 38:1 (2000), 58 – 61.

William W. Robin­son. ​“A Black Chalk Draw­ing by Rem­brandt.” In: Festschrift für Kon­rad Ober­hu­ber. Achim Gnann and Hans Widauer, eds. Milan: Elec­ta, 2000, 303 – 6.

William W. Robin­son. ​“The Abrams Album: An Album Ami­co­rum of Dutch Draw­ings from the Sev­en­teenth Cen­tu­ry.” Mas­ter Draw­ings 53:1 (2015), 1 – 58.

William W. Robin­son, with con­tri­bu­tions by Susan Ander­son. Draw­ings from the Age of Bruegel, Rubens, and Rem­brandt: High­lights from the Col­lec­tion of the Har­vard Art Muse­ums. Cam­bridge (Mass.): Har­vard Art Muse­ums, 2016.

Mar­cel G. Roeth­lis­berg­er and Marten Jan Bok. Abra­ham Bloe­maert and His Sons: Paint­ings and Prints. 2 vols. Doorn­spijk: Dava­co, 1993.

Mar­cel Roeth­lis­berg­er. Bartholomäus Breen­bergh: Handze­ich­nun­gen. Berlin: Wal­ter de Gruyter, 1969.

Mar­cel Roeth­lis­berg­er. Bartholomeus Breen­bergh: The Paint­ings. Berlin: Wal­ter de Gruyter, 1981.

Mar­cel Roeth­lis­berg­er [mis­spelled ​‘Roetlis­berg’]. ​“New Works by Bartholomeus Breen­bergh.” Oud Hol­land 99:1 (1985), 57 – 66.

Mar­cel George Roeth­lis­berg­er. Bartholomeus Breen­bergh. Deal­er cat. Richard L. Feigen & Co., New York, 1991.

Her­man Rood­en­burg. ​“Over scheefhalzen en zwellende heupen.” De zeven­tiende eeuw 9 (1993), 152 – 68.

Michiel Roscam Abbing, with Peter Thissen. De schilder & Schri­jver Samuel van Hoogstrat­en 1627 – 1678: Eigen­ti­jdse bron­nen & oeu­vre van gesigneerde schilder­i­jen. Lei­den: Pri­mav­era Pers, 1993.

Hans-Mar­tin Roter­mund. ​“The Motif of Radi­ance in Rembrandt’s Bib­li­cal Draw­ings.” Jour­nal of the War­burg and Cour­tauld Insti­tutes 15 (1952), 101 – 21.

Hans-Mar­tin Roter­mund. ​“Uniden­ti­fizierte bzw. missver­standene Zeich­nun­gen Rem­brandts zu bib­lis­chen Szenen.” Wall­raf-Richartz Jahrbuch 21 (1959), 173 – 208.

Hans-Mar­tin Roter­mund. Rem­brandts Handze­ich­nun­gen und Radierun­gen zur Bibel. Lahr: Ernst Kauf­mann, 1963.

Hans-Mar­tin Roter­mund. Rem­brandt’s Draw­ings and Etch­ings for the Bible. Philadel­phia: Pil­grim Press, 1969. [Eng­lish trans­la­tion of Roter­mund 1963].

150 tekenin­gen uit vier eeuwen uit de verza­mel­ing van Sir Bruce en Lady Ingram. Exh. cat. Muse­um Boy­mans-van Beunin­gen, Rot­ter­dam, and Het Prentenk­abi­net van het Rijksmu­se­um, Ams­ter­dam, 1961 – 62.

Jeroen Giltaij and Jan Kelch. Lof der Zee­vaart: De Hol­landse zeeschilders van de 17e eeuw. Exh. cat. Muse­um Boi­j­mans Van Beunin­gen, Rot­ter­dam, and Staatliche Museen zu Berlin, Gemälde­ga­lerie im Bode­mu­se­um, 1996 – 97

E. Haverkamp Bege­mann. Willem Buytewech 1591 – 1624. Exh. cat. Muse­um Boy­mans-Van Beunin­gen, Rot­ter­dam, and Insti­tut Néer­landais, Paris, 1974 – 75.

A.W.F.M. Meij and J.A. Poot, eds. Jacques de Gheyn II 1565 – 1629 als teke­naar. Exh. cat. Muse­um Boy­mans-van Beunin­gen, Rot­ter­dam, and Nation­al Gallery of Art, Wash­ing­ton, 1985 – 86.

Nora Schadee, ed. Rotter­damse Meesters uit de Gouden Eeuw. Exh. cat. Het Schieland­shuis, Rot­ter­dam, 1994 – 95.

Jeroen Giltaij. Le Cab­i­net d’un ama­teur: Dessins fla­mands et hol­landais des XVIe et XVIIe siè­cles d’une col­lec­tion privée d’Amsterdam. Exh. cat. Muse­um Boy­mans-Van Beunin­gen, Rot­ter­dam, Insti­tut Néer­landais, Paris, and Bib­lio­theque Albert Ier, Brus­sels, 1976 – 77.

Mar­tin Roy­al­ton-Kisch and Peter Schat­born. ​“The Core Group of Rem­brandt Draw­ings, II: The List.” Mas­ter Draw­ings 49:3 (2011), 323 – 46.

Mar­tin Roy­al­ton-Kisch. ​“The Lugt Draw­ings by Rem­brandt and his School.” Burling­ton Mag­a­zine 140 (1998), 618 – 22.

Mar­tin Roy­al­ton-Kisch. Cat­a­logue of Draw­ings by Rem­brandt and his School in the British Muse­um. British Muse­um online research cat­a­logues, 2010. https://webarchive.nationalarc… / https://​www​.british​mu​se​um​.org/…

Mar­tin Roy­al­ton-Kisch. ​“A Dou­ble-Sided Sketch in Black Chalk by Rem­brandt.” Mas­ter Draw­ings 53:4 (2015), 451 – 54.

Mar­tin Roy­al­ton-Kisch. The Draw­ings of Rem­brandt: A Revi­sion of Otto Benesch’s Cat­a­logue Raison­né. Online cat­a­logue, 2012 – (in progress): https://​rem​brandt​cat​a​logue​.net.

Gre­go­ry Rubin­stein. ​“A New Attri­bu­tion to Ger­ard ter Borch the Younger.” Mas­ter Draw­ings 53:4 (2015), 459 – 62.

Louisa Wood Ruby. Paul Bril: The Draw­ings. Turn­hout: Bre­pols, 1999.

Louisa Wood Ruby. ​“Draw­ings Con­nois­seur­ship and the Prob­lem of Mul­ti­ple Orig­i­nals.” Jour­nal of His­to­ri­ans of Nether­lan­dish Art 5:2 (2013). DOI: 10.5092/jhna.2013.5.2.4.

Rob Ruurs. “ ​‘Even if it is not archi­tec­ture’: Per­spec­tive draw­ings by Simon de Vlieger and Willem van de Velde the Younger.” Simi­o­lus 13:3/4 (1983), 189 – 200.

Vadim Sad­kov et al. The Pushkin State Muse­um of Fine Arts: Nether­lan­dish, Flem­ish and Dutch Draw­ings of the XVI-XVIII Cen­turies, Bel­gian and Dutch Draw­ings of the XIX-XX Cen­turies. Ams­ter­dam: Foun­da­tion for Cul­tur­al Inven­to­ry, 2010.

H.P. Schaap. ​“De Vlaam­sche stichters van het wand­tapi­jten-bedri­jf Nauwincx te Schoonhoven en een afs­tam­mingsli­jn tot op den dag van heden (c. 1582 – 1955).” De Navorsch­er 96 (1956), 1 – 10.

Mar­i­jn Schapel­houman and Peter Schat­born. Land & Water: Hol­landse tekenin­gen uit de 17de eeuw in het Rijk­sprentenk­abi­net / Dutch Draw­ings from the 17th cen­tu­ry in the Rijksmu­se­um Print Room. Zwolle: Waan­ders, 1987.

Mar­i­jn Schapel­houman and Peter Schat­born, with the assis­tance of Ingrid Oud and Taco Dib­bits. Dutch Draw­ings of the Sev­en­teenth Cen­tu­ry in the Rijksmu­se­um, Ams­ter­dam: Artists Born Between 1580 and 1600. 2 vols. Ams­ter­dam: Rijksmu­se­um, 1998.

Mar­i­jn Schapel­houman. Oude tekenin­gen in het bezit van de Gemeen­te­musea van Ams­ter­dam, waaron­der de col­lec­tie Fodor. Deel 2: Tekenin­gen van Noord- en Zuidned­er­landse kun­ste­naars geboren voor 1600. Ams­ter­dam: Ams­ter­dams His­torisch Muse­um, 1979.

Mar­i­jn Schapel­houman. Cat­a­lo­gus van de Ned­er­landse Tekenin­gen in het Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, Deel III: Ned­er­landse tekenin­gen omstreeks 1600. The Hague: Staat­suit­gev­er­ij, 1987.

Mar­i­jn Schapel­houman. Review of Jacques de Gheyn: Three Gen­er­a­tions by I.Q. van Regteren Alte­na. Simi­o­lus 18:4 (1988), 264 – 69.

Mar­i­jn Schapel­houman. Rem­brandt and the Art of Draw­ing. Zwolle: Waan­ders, 2006.

Peter Schat­born and S.A.C. Dudok van Heel. ​“The Core Group of Rem­brandt Draw­ings, III: Sup­ple­ment.” Mas­ter Draw­ings 49:3 (2011), 347 – 51.

Peter Schat­born and Erik Hin­ter­d­ing. Rem­brandt: The Com­plete Draw­ings and Etch­ings. Cologne: Taschen, 2019.

Peter Schat­born. “ ​‘De hut’ van Adri­aen van de Velde.” Bul­letin van het Rijksmu­se­um 23:3 (1975), 159 – 65.

Pieter Schat­born. Review of Lam­bert Doomer: Sämtliche Zeich­nun­gen by Wolf­gang Schulz. Simi­o­lus 9:1 (1977), 48 – 55.

Peter Schat­born. ​“Van Rem­brandt tot Crozat: Vroege verza­melin­gen met tekenin­gen van Rem­brandt.” Ned­er­lands Kun­sthis­torisch Jaar­boek 32 (1981), 1 – 54.

Peter Schat­born. Tekenin­gen van Rem­brandt, zijn onbek­ende leer­lin­gen en navol­gers / Draw­ings by Rem­brandt, his anony­mous pupils and fol­low­ers. Cat­a­logue of the Dutch and Flem­ish Draw­ings in the Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam: Vol­ume IV. The Hague: Staat­suit­gev­er­ij, 1985.

Peter Schat­born, ​“Tekenin­gen van Adri­aen en Isack van Ostade,” Bul­letin van het Rijksmu­se­um 34:2 (1986), 82 – 92.

Peter Schat­born. ​“Draw­ings Attrib­uted to Carel Fab­ri­tius.” Oud Hol­land 119:2/3 (2006), 130 – 38.

Peter Schat­born. Rem­brandt and his cir­cle: Draw­ings in the Frits Lugt col­lec­tion. 2 vols. Bus­sum: Thoth, 2010.

Peter Schat­born. ​“The Core Group of Rem­brandt Draw­ings, I: Overview.” Mas­ter Draw­ings 49:3 (2011), 293 – 322.

Pieter Schat­born. ​“Een teken­ing van Pieter Last­man uit Ital­ië.” Kro­niek van het Rem­brandthuis (2011), 36 – 41.

Peter Schat­born. Review of Achim Gnann, Rem­brandt: Land­schaft­sze­ich­nun­gen / Land­scape Draw­ings. Mas­ter Draw­ings 60:2 (2022), 235 – 48.

Maria A. Schenkeveld. Dutch Lit­er­a­ture in the Age of Rem­brandt: Themes and Ideas. Ams­ter­dam and Philadel­phia: John Ben­jamins, 1991.

Gün­ter Schilder et al. The Atlas Blaeu-Van der Hem of the Aus­tri­an Nation­al Library: His­to­ry of the Atlas and the mak­ing of the fac­sim­i­le. Houten: Hes & De Graaf, 2011.

Bern­hard Schnack­en­burg, Adri­aen van Ostade, Isack van Ostade: Zeich­nun­gen und Aquarelle. Gesamt­darstel­lung mit Werkkat­a­lo­gen, 2 vols. Ham­burg: Ernst Hauswedell, 1981.

Bern­hard Schnack­en­burg. ​“Die Anfänge von Thomas Adri­aen­sz. Wyck (um 1620 – 1677) als Zeich­n­er und Maler.” Oud Hol­land 106:3 (1992), 143 – 56.

Bern­hard Schnack­en­burg. Gemälde­ga­lerie Alte Meis­ter: Gesamtkat­a­log. 2 vols. Mainz: Philipp von Zabern, 1996.

H. Schnei­der, with a sup­ple­ment by R.E.O. Ekkart. Jan Lievens: Sein Leben und seine Werke. Ams­ter­dam: B.M. Israël, 1973.

H. Schnei­der. Jan Lievens: Sein Leben und seine Werke. Haar­lem: De Erven F. Bohn, 1932.

Lau­rens Schoe­mak­er. ​“Een straat­je in Hard­er­wijk door Jacob van Ruis­dael.” RKD Bul­letin 1 (2016), 3 – 10.

Lau­rens Schoe­mak­er. ​“Jacob van Ruis­dael tekent de Kam­per­buiten­poort in Amers­foort.” In: Con­nois­seur­ship: Essays in Hon­our of Fred G. Mei­jer. C. Dumas, R. Ekkart, and C. van de Put­te­laar, eds. Lei­den, 2020, 269 – 74.

Theodoor Schrev­elius. Harlemias, ofte, om beter te seggen, De eerste sticht­inghe der stadt Haer­lem. Haar­lem: Thomas Fonteyn, 1648.

Wolf­gang Schulz. Lam­bert Doomer 1624 – 1700: Leben und Werke. 2 vols. Ph.D. dis­ser­ta­tion, Freie Uni­ver­sität, Berlin, 1972.

Wolf­gang Schulz. Lam­bert Doomer: Sämtliche Zeich­nun­gen. Berlin & New York: Wal­ter de Gruyter, 1974.

Wolf­gang Schulz. Cor­nelis Saftleven 1607 – 1681: Leben und Werke, Mit einem kri­tis­chen Kat­a­log der Gemälde und Zeich­nun­gen. Berlin & New York: Wal­ter de Gruyter, 1978.

Wolf­gang Schulz. Her­man Saftleven 1609 – 1685: Leben und Werke, Mit einem kri­tis­chen Kat­a­log der Gemälde und Zeich­nun­gen. Berlin & New York: Wal­ter de Gruyter, 1982.

Wolf­gang Schulz. Aert van der Neer. Doorn­spijk: Dava­co, 2002.

Gian­ni Carlo Sci­ol­la. I dis­eg­ni fiamminghi e olan­desi della Bib­liote­ca Reale di Tori­no. Flo­rence: Leo S. Olsch­ki, 2007.

Chris­t­ian Tico Seifert. ​“Von Ama­teuren und Vir­tu­osen: Bemerkun­gen zu Zeich­nun­gen nach druck­graphis­chen Vor­la­gen.” In: Druck­graphik: Zwis­chen Repro­duck­tion und Inven­tion. Markus Cas­tor et al., eds. Berlin & Munich, 2010, 10 – 24.

Karin Sidén. ​“Dutch Art in Sev­en­teenth-Cen­tu­ry Swe­den: A His­to­ry of Dutch Indus­tri­al­ists, Trav­el­ling Artists and Collectors.”“In: Geest en Gratie: Essays Pre­sent­ed to Ildikó Ember on Her Sev­en­ti­eth Birth­day. Orsolya Rad­ványi, ed. Budapest, 2012, 94 – 103.

Bert Slig­gers. Dageli­jckse aen­tekeninge van Vin­cent Lau­ren­sz van der Vinne. Haar­lem: Fibu­la-Van Dishoeck, 1979.

Sey­mour Slive. ​“Notes on Three Draw­ings by Jacob van Ruis­dael.” In: Album Ami­co­rum J.G. van Gelder. J. Bruyn et al., eds. The Hague: Mar­t­i­nus Nijhoff, 1973.

Sey­mour Slive. ​“Addi­tions to Jacob van Ruis­dael.” Burling­ton Mag­a­zine 133:1062 (1991), 598 – 606.

Sey­mour Slive. ​“Addi­tions to Jacob van Ruis­dael: II.” Burling­ton Mag­a­zine 137:1108 (1995), 452 – 57.

Sey­mour Slive. Jacob van Ruis­dael: A Com­plete Cat­a­logue of His Paint­ings, Draw­ings and Etch­ings. New Haven and Lon­don: Yale Uni­ver­si­ty Press, 2001.

Sey­mour Slive. Rembrandt’s Draw­ings. Los Ange­les: J. Paul Getty Muse­um, 2009.

D.P. Snoep. ​“Een 17de eeuws lied­boek met tekenin­gen van Ger­ard ter Borch de Oude en Pieter en Roe­land van Laer.” Simi­o­lus 3:2 (1968 – 69), 77 – 134.

Irina Sokolo­va. ​“Two ​‘for­got­ten’ land­scapes from the col­lec­tion of Count Hein­rich von Brühl: Pos­si­ble new attri­bu­tions to Anthonie van Bors­som.” In: Liber Ami­co­rum Mar­ijke de Kinkelder: Col­le­giale bij­dra­gen over land­schap­pen, marines en archi­tec­tu­ur, Charles Dumas et al., eds. The Hague, 2013, 369 – 76.

Felice Stampfle, with the assis­tance of Ruth S. Krae­mer and Jane Shoaf Turn­er. Nether­lan­dish Draw­ings of the Fif­teenth and Six­teenth Cen­turies and Flem­ish Draw­ings of the Sev­en­teenth and Eigh­teenth Cen­turies in the Pier­pont Mor­gan Library. New York: Pier­pont Mor­gan Library, 1991.

Wolf­gang Ste­chow. Dutch Land­scape Paint­ing of the Sev­en­teenth Cen­tu­ry. Lon­don: Phaidon, 1966.

Annemarie Ste­fes. Nico­laes Pieter­sz. Berchem (1620 – 1683): De Zeich­nun­gen. Ph.D. dis­ser­ta­tion, Uni­ver­sität Bern, 1997.

Annemarie Ste­fes. Nieder­ländis­che Zeich­nun­gen 1450 – 1850, Kupfer­stichk­abi­nett der Ham­burg­er Kun­sthalle. 3 vols. Cologne: Böh­lau, 2011.

Anne-Char­lotte Ste­land. ​“Zu Willem Schellinks’ Entwick­lung als Zeich­n­er.” Niederdeutsche Beiträge zur Kun­st­geschiede­nis 25 (1986), 79 – 108.

Anne-Char­lotte Ste­land. ​“Thomas Wijck als ital­ienisieren­der Zeich­n­er: Beobach­tun­gen zu Herkun­ft, Stil und Arbeitsweise.” Wall­raf-Richartz-Jahrbuch 48 – 49 (1987 – 88), 215 – 47.

Anne-Char­lotte Ste­land. Die Zeich­nun­gen des Jan Asseli­jn. Fridin­gen: Graf Kle­nau, 1989.

Anne-Char­lotte Ste­land. Review of Rom in der Graphik des 16. bis 18. Jahrhun­derts: Ein nieder­ländis­ch­er Zeich­nungs­band der Graphis­chen Samm­lung Kas­sel und seine Motive im Ver­gle­ich by Lisa Oehler. Mas­ter Draw­ings 37:2 (1999), 192 – 95.

Anne-Char­lotte Ste­land-Stief. ​“Jan Asse­lyn und Willem Schellinks.” Oud Hol­land 79:2 (1964), 99 – 110.

Otte Sköld, Nils Lind­ha­gen, and Per Bjurström. Dutch and Flem­ish draw­ings in the National­mu­se­um and other Swedish col­lec­tions. Exh. cat. National­mu­se­um, Stock­holm, 1953.

Wal­ter L. Strauss and Mar­jon van der Meulen. The Rem­brandt Doc­u­ments. New York: Abaris, 1979.

Lotte Stubbe and Wolf Stubbe. Um 1660 auf Reisen geze­ich­net Antonie Water­loo 1610 – 1690: Ansicht­en aus Ham­burg, Altona, Blanke­nese, Hol­stein, Berge­dorf, Lüneb­urg und Danzig-Oliva. Ham­burg: Chris­tians, 1983.

Wern­er Sumows­ki. ​“Obser­va­tions on Jan Lievens’ Land­scape Draw­ings.” Mas­ter Draw­ings 18:4 (1980), 370 – 73, 430 – 39.

Wern­er Sumows­ki. Draw­ings of the Rem­brandt School. 10 vols. New York: Abaris, 1979 – 92.

Wern­er Sumows­ki. Gemälde der Rem­brandt-Schüler. 6 vols. Landau/​Pfalz: Pfälzis­che Ver­lagsanstalt, 1983.

Peter C. Sut­ton. Pieter de Hooch: Com­plete Edi­tion. Oxford: Phaidon, 1980.

Clau­dia Swan. ​“The Prepa­ra­tion for the Sab­bath by Jacques de Gheyn II: The Issue of Inver­sion.” Print Quar­ter­ly 16:4 (1999), 327 – 39.

Clau­dia Swan. Art, Sci­ence, and Witch­craft in Early Mod­ern Hol­land: Jacques de Gheyn II (1565 – 1629). Cam­bridge: Cam­bridge Uni­ver­si­ty Press, 2005.

Tav­erne 1972 – 73 E. Tav­erne. ​“Salomon de Bray and the Reor­ga­ni­za­tion of the Haar­lem Guild of St. Luke in 1631.” Simi­o­lus 6:1 (1972 – 73), 50 – 69.

Jan ter Gouw. De Volksver­mak­en. Haar­lem: F. Bohn, 1871.

E.H. ter Kuile. De Ned­er­land­sche mon­u­menten van geschiede­nis en kunst, Deel VII: De provin­cie Zuid­hol­land, Eerste stuk: Lei­den en West­elijk Rijn­land. The Hague: Alge­meene Lands­drukker­ij, 1944.

Ari­ane van Suchte­len et al. Nico­laes Maes: Dutch Mas­ter of the Gold­en Age. Exh. cat. Mau­rit­shuis, The Hague, and Nation­al Gallery, Lon­don, 2019 – 20.

Quintin Buvelot. Frans van Mieris 1635 – 1681. Exh. cat. Mau­rit­shuis, The Hague, and Nation­al Gallery of Art, Wash­ing­ton, 2005 – 06.

Ari­ane van Suchte­len and Arthur K. Whee­lock Jr. Dutch Cityscapes of the Gold­en Age. Exh. cat. Royal Pic­ture Gallery Mau­rit­shuis, The Hague, and Nation­al Gallery of Art, Wash­ing­ton, 2008 – 09.

S.J. Gud­laugs­son et al. Ger­ard Ter Borch: Zwolle 1617 – Deven­ter 1681. Exh. cat. Konin­klijk Kabi­net van Schilder­i­jen Mau­rit­shuis, The Hague, 1974.

Kees Thomassen, ed. Alba ami­co­rum: Vijf eeuwen vriend­schap op papi­er gezet. Het album ami­co­rum en het poëzieal­bum in de Ned­er­lan­den. Exh. cat. Rijksmu­se­um Meer­man­no-Westree­ni­anum, The Hague, 1990.

Ari­ane van Suchte­len et al. Hol­land Frozen in Time: The Dutch Win­ter Land­scape in the Gold­en Age. Exh. cat. Royal Cab­i­net of Paint­ings Mau­rit­shuis, The Hague, 2001 – 02.

Quentin Buvelot. Jacob van Ruis­dael Paints Ben­theim. Exh. cat. Royal Pic­ture Gallery Mau­rit­shuis, The Hague, 2009.

Fieke Tissink and H.F. de Wit. Gorcumse Schilders in de Gouden Eeuw. Gor­inchem: Sticht­ing Mere­wade, 1987.

J.B. Trapp. ​“The Grave of Vir­gil.” Jour­nal of the War­burg and Cour­tauld Insti­tutes 47 (1984), 1 – 31.

E. Trautscholdt. ​“Beiträge zu Cor­nelis Dusart.” Ned­er­lands Kun­sthis­torisch Jaar­boek 17 (1966), 171 – 200.

Chris­t­ian Tüm­pel. ​“Jesus und die Ehe­brecherin und Rem­brandts Noti­zen auf Zeich­nun­gen mit His­to­rien.” In: Rem­brandt-Zeich­nun­gen in München / The Munich Rem­brandt Draw­ings, Thea Vig­nau-Wilburg, ed. Munich: Staatliche Graphis­che Samm­lung, 2003, 161 – 75.

Jane Shoaf Turn­er and Christo­pher White. Dutch and Flem­ish Draw­ings in the Vic­to­ria and Albert Muse­um. 2 vols. Lon­don: Vic­to­ria and Albert Muse­um, 2014.

Nico­las Turn­er. ​“The Gabburri/​Rogers series of drawn self-por­traits and por­traits of artists.” Jour­nal of the His­to­ry of Col­lec­tions 5:2 (1993), 179 – 216.

Jane Turn­er, ed. The Dic­tio­nary of Art. 34 vols. New York: Grove, 1996.

Jane Shoaf Turn­er. Dutch Draw­ings in the Pier­pont Mor­gan Library, Sev­en­teenth to Nine­teenth Cen­turies. 2 vols. New York: Pier­pont Mor­gan Library, 2006.

Jane Shoaf Turn­er. ​“Francesco Maria Nic­colò Gabburri’s Por­trait of Bartholomeus Spranger in the Rijksmu­se­um.” Mas­ter Draw­ings 53:4 (2015), 485 – 96.

Jane Turn­er, ed. Dutch Draw­ings of the Sev­en­teenth Cen­tu­ry in the Rijksmu­se­um. Rijksmu­se­um online col­lec­tion cat­a­logue, 2018. https://​www​.rijksmu​se​um​.nl/nl/….

Lies­beth M. Hel­mus and Gero Seel­ig et al. The Bloe­maert Effect: Colour and Com­po­si­tion in the Gold­en Age. Exh. cat. Cen­traal Muse­um, Utrecht, and Staatlich­es Muse­um, Schw­erin, 2011 – 12.

S.H. Levie. Cat­a­lo­gus der ten­toon­stelling van tekenin­gen uit de col­lec­tie van de heer Hans van Leeuwen te Ams­ter­dam. Exh. cat. Genootschap Kun­stliefde, Utrecht, 1959 – 60.

W.R. Valen­tin­er. ​“Early Draw­ings by Nico­laes Maes.” Burling­ton Mag­a­zine 43:244 (1923), 16 – 22.

Wil­helm R. Valen­tin­er. Nico­laes Maes. Berlin & Leipzig: Deutsche Ver­lags-Anstalt Stuttgart, 1924.

J.J.F.W. van Agt. ​“Het Witte Kerk­je van Noord­wijk­er­hout.” Leids Jaar­boek­je 43 (1951), 68 – 70.

Patri­cia van Bal­le­gooyen. ​“Duiv­en­ti­lar­chi­tec­tur.” Heem­schut 55 (1978), 123 – 27.

E.J.B.D. van Bin­nebeke. Willem Daniel­sz. van Tetrode: de Delftse Prax­ite­les. Een studie naar het leven en het werk van een zestiende-eeuse Ned­er­landse beeld­houw­er. Ph.D. dis­ser­ta­tion, Uni­ver­si­ty of Utrecht, 2003.

An Van Camp. ​“The Etch­ings by Draw­ings Col­lec­tor Nico­laes Flinck.” Print Quar­ter­ly 27:4 (2010), 371 – 81.

Ernst van de Weter­ing. Rem­brandt: The Painter at Work. Ams­ter­dam: Ams­ter­dam Uni­ver­si­ty Press, 1997.

Ernst van de Weter­ing. Rem­brandt: The Painter Think­ing. Ams­ter­dam: Ams­ter­dam Uni­ver­si­ty Press, 2016.

Ernst van de Weter­ing. Rembrandt’s Paint­ings Revis­it­ed: A Com­plete Sur­vey. 2 vols. Dor­drecht: Springer, 2017.

Herma M. van den Berg. ​“Willem Schellinks en Lam­bert Doomer in Frankrijk.” Oud­hei­d­kundig Jaar­boek, 4th series, 11 (1942), 1 – 31.

Peter J.H. van den Berg. René Descartes in Egmond 1643– 1649. Egmond-Bin­nen: BP, 2014.

Rien van den Brand and Theo Man­ders. Vest­ing ​‘t Gen­neper­huys in eeuwen­langs vri­jhei­dsstri­jd. Haps, 2002.

Peter van der Coe­len et al., Every­day Life in Holland’s Gold­en Age: The Com­plete Etch­ings of Adri­aen van Ostade. Ams­ter­dam: Muse­um het Rem­brandthuis, 1998.

Haa­gen, J.K. van der. De schilders Van der Haa­gen en hun werk, met cat­a­lo­gus van de schilder­i­jen en teekenin­gen van Joris van der Haa­gen. Voor­burg: Pri­vate­ly pub­lished, 1932.

H.W.M. van der Wyck and Wouter Kloek, with the assis­tance of J.W. Niemei­jer. De kas­teel­tekenin­gen van Roe­lant Rogh­man. 2 vols. Alphen aan den Rijn: Canalet­to, 1989 – 90.

Xan­der van Eck. Clan­des­tine Splen­dor: Paint­ings for the Catholic Church in the Dutch Repub­lic. Zwolle: Waan­ders, 2008.

Chris­ti­aan P. van Eeghen. ​“Jan van Goyen’s Chalk Draw­ings from Two Early Albums.” Mas­ter Draw­ings 35:2 (1997), 155 – 81.

Chris­ti­aan P. van Eeghen. ​“Simon de Vlieger as a Drafts­man, II: Chalk Draw­ings and Other Pure Land­scapes.” Mas­ter Draw­ings 49:2 (2011), 179 – 221.

Chris­ti­aan P. van Eeghen. ​“Simon de Vlieger as a Drafts­man, III: His Chalk Land­scapes and Their Con­nec­tions with Work by Anthonie Water­loo and Oth­ers.” Mas­ter Draw­ings 53:3 (2015), 313 – 42.

Mar­gri­et van Eike­ma Hommes and Elmer Kolfin. De Oran­jeza­al in Huis ten Bosch: Een zaal uit loutere liefde. Zwolle: Waan­ders, 2013.

Jan G. van Gelder and Ingrid Jost (edit­ed by Keith Andrews). Jan de Biss­chop and his Icones & Par­a­dig­ma­ta: Clas­si­cal Antiq­ui­ties and Ital­ian Draw­ings for Artis­tic Instruc­tion in Sev­en­teenth Cen­tu­ry Hol­land. 2 vols. Doorn­spijk: Dava­co, 1985.

J.G. van Gelder. Jan van de Velde 1593 – 1641: Teeke­naar-Schilder. The Hague: Mar­t­i­nus Nijhoff, 1933.

H.E. van Gelder. ​“Abra­ham de Ver­w­er lev­ert een schilder­ij van den Slag bij Gilbral­tar.” Oud Hol­land 62 (1947), 211 – 13.

J.G. van Gelder. ​“Jan van de Velde 1593 – 1641, teke­naarschilder: Adden­da I.” Oud Hol­land 70 (1955), 21 – 40.

H.E. van Gelder. Ikono­grafie van Con­stan­ti­jn Huy­gens en de zij­nen. The Hague: Mar­t­i­nus Nijhoff, 1957.

J.G. van Gelder. ​“Jan de Biss­chop’s draw­ings after antique sculp­ture.” In: Stud­ies in West­ern Art: Acts of the Twen­ti­eth Inter­na­tion­al Con­gress of the His­to­ry of Art. Prince­ton, 1963, 51 – 58.

J.G. van Gelder. ​“Draw­ings by Jan van de Velde.” Mas­ter Draw­ings 5:1 (1967), 39 – 42, 94 – 99.

J.G. van Gelder. ​“Jan de Biss­chop 1628 – 1671.” Oud Hol­land 86:4 (1971), 201 – 88.

J.G. van Gelder. ​“Willem Paedts as an Infant by Frans van Mieris the Elder.” Print Review 5 (1976), 70 – 73.

J.G. van Gelder. ​“Con­sta­ti­jn Huy­gens de Jonge als teke­naar.” In: Boy­mans bij­dra­gen: Opstellen van medew­erk­ers en oud-medew­erk­ers van het Muse­um Boy­mans-van Beunin­gen voor J.C. Ebbinge Wubben. Rot­ter­dam, 1978, 111 – 28.

S.J.H. van Hen­gel. Early Golf. Vaduz, 1985.

K. van Nijen. ​“De Gans in de volksver­mak­en.” Ned­er­lands Tijd­schrift voor Volk­skunde 39 (1934), 31 – 61.

Van Regteren Alte­na 1936 J.Q. van Regteren Alte­na. The Draw­ings of Jacques de Gheyn. Ams­ter­dam: N.V. Swets & Zeitlinger, 1936.

J.Q. van Regteren Alte­na. ​“The Anony­mous Span­ish Sit­ters of Ger­ard Ter­borch.” Mas­ter Draw­ings 10:3 (1972), 260 – 63, 312 – 19.

I.Q. van Regteren Alte­na. Jacques de Gheyn: Three Gen­er­a­tions. 3 vols. The Hague, Boston & Lon­don: Mar­t­i­nus Nijhoff, 1983. 

Ger­ard van Spaan. Bescri­jvinge der stad Rot­ter­dam: En eenige omleggende dor­pen. Rot­ter­dam, 1698.

Ton van Strien and Kees van der Leer. Hofwi­jck: Het gedicht en de buiten­plaats van Con­stan­ti­jn Huy­gens. Zut­phen: Wal­burg Pers, 2002.

Maud van Suylen. ​“Draw­ings of Inte­ri­ors by Thomas Wijck.” Mas­ter Draw­ings 58:2 (2020), 195 – 206.

Pieter J.J. van Thiel. ​“For Instruc­tion and Bet­ter­ment: Samuel Ampzing’s ​‘Mir­ror of the Van­i­ty and Unre­strained­ness of Our Age.” Simi­o­lus 24:2/3 (1996), 182 – 200.

Ruud Priem et al. Ver­meer, Rem­brandt and the Gold­en Age of Dutch Art: Mas­ter­pieces from the Rijksmu­se­um. Exh. cat. Van­cou­ver Art Gallery, Van­cou­ver, 2009.

Ilja M. Veld­man. ​“Keulen als toevlucht­so­ord voor Ned­er­landse kun­ste­naars (1567 – 1612).” Oud Hol­land 107:1 (1993), 34 – 58.

Mar­gri­et Ver­hoef. “ ​‘Bran­t­jes’ en ​‘Maneschi­jn­t­jes’.” In: Rot­ter­damse Meesters uit de Gouden Eeuw. Nora Schadee, ed. Rot­ter­dam, 1994, 125-31.

Giulio Bora, Dominique Radrizani, and Edith Carey. Cinq Siè­cles de Dessins: Col­lec­tions du Musée Jenisch. Exh. cat. Musée Jenisch, Vevey, 1997 – 98.

Wal­ter Koschatzky. Claude Lor­rain und die Meis­ter der römis­chen Land­schaft im XVII. Jahrhun­dert. Exh. cat. Graphis­che Samm­lung Alberti­na, Vien­na, 1964 – 65.

Doris Vogel-Köhn. Rem­brandts Kinderze­ich­nun­gen. Cologne: DuMont, 1981.

Lea van der Vinde. Vrouwen ron­dom Huy­gens. Exh. cat. Huy­gens­mu­se­um Hofwi­jck, Voor­burg, 2010.

Mal­com R. Wadding­ham. ​“Andries and Jan Both in France and Italy.” Paragone 15 (1964), 13 – 43.

Adri­aan E. Wai­boer. ​“Ver­meer’s Impact on his Con­tem­po­raries.” Oud Hol­land 123:1 (2010), 51 – 64.

John Walsh. Jan Steen: The Draw­ing Les­son. Oxford: Oxford Uni­ver­si­ty Press, 1996.

Rachel War­ren-Chadd and Mar­i­anne Tay­lor. Birds: Myth, Lore and Leg­end. Lon­don: Blooms­bury, 2016.

Stanis­lawa Saw­ic­ka. Dessins du cer­cle des manieristes neer­landais XVIe et le com­mence­ment du XVIIc siè­cle. Exh. cat. Uni­ver­si­ty of War­saw, War­saw, Pomeran­ian Muse­um, Gdańsk, and Nation­al Muse­um, Poz­nan, 1967.

Ellen S. Jacobowitz and Stephanie Loeb Stepanek. The Prints of Lucas van Ley­den & His Con­tem­po­raries. Exh. cat. Nation­al Gallery of Art, Wash­ing­ton, and Muse­um of Fine Arts, Boston, 1983.

Arthur K. Whee­lock Jr. et al. Ger­ard ter Borch. Exh. cat., Nation­al Gallery of Art, Wash­ing­ton, and Detroit Insti­tute of Arts, Detroit, 2004 – 05.

Arthur K. Whee­lock Jr. and Peter C. Sut­ton. Rem­brandt’s Late Reli­gious Por­traits. Exh. cat. Nation­al Gallery of Art, Wash­ing­ton, and J. Paul Getty Muse­um, Los Ange­les, 2005.

Ger Lui­jten, Peter Schat­born, and Arthur K. Whee­lock Jr. Draw­ings for Paint­ings in the Age of Rem­brandt. Exh. cat. Nation­al Gallery of Art, Wash­ing­ton, and Fon­da­tion Cus­to­dia, Col­lec­tion Frits Lugt, Paris, 2016 – 17.

Franklin W. Robin­son. Sev­en­teenth-Cen­tu­ry Dutch Draw­ings from Amer­i­can Col­lec­tions. Exh. cat. Nation­al Gallery of Art, Wash­ing­ton, Den­ver Art Muse­um, Den­ver, and Kim­bell Art Muse­um, Fort Worth, 1977.

Arthur K. Whee­lock Jr., ed. Ael­bert Cuyp. Exh. cat. Nation­al Gallery of Art, Wash­ing­ton, Nation­al Gallery, Lon­don, and Rijksmu­se­um, Ams­ter­dam, 2001 – 02.

Arthur K. Whee­lock Jr. et al. Jan Lievens: A Dutch Mas­ter Redis­cov­ered. Exh. cat. Nation­al Gallery of Art, Wash­ing­ton, Mil­wau­kee Art Muse­um, Mil­wau­kee, and Rem­brandthuis, Ams­ter­dam, 2008 – 09.

R.E.J. Weber. ​“Willem van de Velde de Jonge als oogge­tu­ige in het Goereese gat op 16 juni 1666.” In: Boy­mans bij­dra­gen: Opstellen van medew­erk­ers en oudmedew­erk­ers van het Muse­um Boy­mans-van Beunin­gen voor J.C. Ebbinge Wubben. Rot­ter­dam, 1978.

R.E.J. Weber. ​“The artis­tic rela­tion­ship between the ship draughts­man Willem van de Velde the Elder and his son the marine painter in the year 1664.” Mas­ter Draw­ings 17:2 (1979), 152 – 61.

Wolf­gang Weg­n­er. Die nieder­ländis­chen Handze­ich­nun­gen des 15. – 18. Jahrhun­derts. Kat­a­loge der Staatlichen Graphis­chen Samm­lung München. 2 vols. Berlin: Mann, 1973.

Kathe­ri­na Weick-Joch. Kul­tur­trans­fer im Rom des 17.Jahrhunderts: Die Malerei der Bam­boc­cianti. Ph.D. dis­ser­ta­tion, Uni­ver­sität Trier, 2015.

Den­nis P. Weller. Sev­en­teenth-Cen­tu­ry Dutch and Flem­ish Paint­ings. Raleigh: North Car­oli­na Muse­um of Art, 2009.

J.E. Wes­se­ly. Jacob Gole: Verze­ich­niss sein­der Kupfer­stiche und Sch­abkun­st­blät­ter. Ham­burg: Haend­cke & Lehmkuhl, 1889.

Thijs West­stei­jn. The Vis­i­ble World: Samuel van Hoogstraten’s Art The­o­ry and the Legit­i­ma­tion of Paint­ing in the Dutch Gold­en Age. Ams­ter­dam: Ams­ter­dam Uni­ver­si­ty Press, 2008.

Arthur K. Whee­lock, Jr. Dutch Paint­ings of the Sev­en­teenth Cen­tu­ry. Wash­ing­ton: Nation­al Gallery of Art, 1995.

Christo­pher White and Char­lotte Craw­ley. The Dutch and Flem­ish Draw­ings of the Fif­teenth to the Early Nine­teenth Cen­turies in the Col­lec­tion of Her Majesty the Queen at Wind­sor Cas­tle. Cam­bridge: Cam­bridge Uni­ver­si­ty Press, 1994.

Christo­pher White. Dutch Pic­tures in the Col­lec­tion of Her Majesty The Queen. 2nd ed. Lon­don: Royal Col­lec­tion Trust, 2015.

Léna Widerkehr. ​“Jacob Math­am Goltz­ij Priv­i­gnus: Jacob Math­am graveur et ses rap­ports avec Hen­drick Goltz­ius.” Ned­er­lands Kun­sthis­torisch Jaar­boek 42 – 43 (1993), 219 – 60.

Léna Widerkehr. Jacob Math­am (1571 – 1631), graveur-edi­teur à Haar­lem: Un maître du burin et son oeu­vre dess­iné. Ph.D. dis­ser­ta­tion, Uni­ver­sité Marc Bloch, Stras­bourg, 1997.

Stephen H. God­dard and James A. Ganz. Goltz­ius & the Third Dimen­sion. Exh. cat. Ster­ling and Francine Clark Art Insti­tute, Williamstown, Elve­hjem Muse­um of Art, Madi­son, and Spencer Muse­um of Art, Lawrence, 2001 – 02.

C.C.S. Wilmer. ​“Duiv­en­tillen en -torens in het Krome Rijnge­bied.” Tussen Rijn en Lek 25:4 (1991), 1 – 6.

Emanuel Win­ter­nitz. Musi­cal Instru­ments and Their Sym­bol­ism in West­ern Art: Stud­ies in Musi­cal Iconol­o­gy. 2nd ed. New Haven: Yale Uni­ver­si­ty Press, 1979.

O.J. Wtte­waall. ​“Het recht om duiv­en te houden.” Tussen Rijn en Lek 25:4 (1991), 7 – 10.

Ger­di­en Wuest­man. ​“Nico­laes Berchem in print: fluc­tu­a­tions in the func­tion and sig­nif­i­cance of repro­duc­tive engrav­ing.” Simi­o­lus 24:1 (1996), 19 – 53.

Ger­di­en Wuest­man. ​“Een onbek­ende voorstudie door Frans van Mieris.” Delin­eav­it et Sculp­sit 39 (2015), 44 – 49.

Eliz­a­beth Ann Wyck­off. Inno­va­tion and Pop­u­lar­iza­tion: Print Mak­ing and Print Pub­lish­ing in Haar­lem Dur­ing the 1620s. Ph.D. dis­ser­ta­tion, Colum­bia Uni­ver­si­ty, 1998.

Richard Tyler. Fran­cis Place 1647 – 1728. Exh. cat. City Art Gallery, York, 1971.

Charles Zika. ​“The Cru­el­ty of Witch­craft: The Draw­ings of Jacques de Gheyn the Younger.” In: Emo­tions in the His­to­ry of Witch­craft. L. Kou­nine and M. Ostling, eds. Pal­grave Macmil­lan, 2016, 37 – 56. DOI: 10.1057/978-1-137-52903-9_3.

Jan M. Ziolkows­ki and Michael C.J. Put­nam, eds. The Vir­gilian Tra­di­tion: The First Fif­teen Hun­dred Years. New Haven: Yale Uni­ver­si­ty Press, 2008.

An Zwol­lo. ​“Een ​‘Cor­nelis Saftleven’ per brief.” Ned­er­lands Kun­sthis­torisch Jaar­boek 38 (1987), 402 – 6.