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Clif­ford S. Ack­ley. ​“Two Unpub­lished Draw­ings by Jacques de Gheyn.” Mas­ter Draw­ings 53:4 (2015), 435 – 38.

Bernard Aike­ma, ed. W. Schellinks fecit: Viag­gio al Sud, 1664 – 1665 / Jour­ney to the South, 1664 – 1665. Rome: Edi­zioni dell’Elefante, 1983.

Christi M. Klink­ert and Yvonne Bley­erveld et al. Allart van Everdin­gen: Mas­ter of the Rugged Land­scape 1621 – 1675. Exh. cat. Stedelijk Muse­um, Alk­maar, 2021.

Eva Jeney Allen. The Life and Art of Pieter Molyn. Ph.D. dis­ser­ta­tion, Uni­ver­si­ty of Mary­land, 1987.

Stijn Alsteens and Hans Buijs. Paysages de France: Dess­inés par Lam­bert Doomer et les artistes hol­landais et fla­mands des XVIe et XVIIe siè­cles. Paris: Fon­da­tion Cus­to­dia, 2008.

Stijn Alsteens. Review of The Atlas Blaeu-Van der Hem in the Aus­tri­an Nation­al Library by Erlend de Groot and Peter van den Krogt. Mas­ter Draw­ings 48:1 (2010), 105 – 20.

Stijn Alsteens. ​‘An Ear­li­er Ver­sion of the Metropolitan’s View of Tivoli by Bartholomeus Breen­bergh.’ Mas­ter Draw­ings 53:4 (2015), 443 – 50.

Adri­ano Amen­dola. ​“Paolo Gior­dano II Orsi­ni collezion­ista di dis­eg­ni. Novità su Paul Bril, Bartholomeus Breen­bergh, Simon Vouet, Francesco Salvi­ate e altri antichi maestri.” Bol­let­ti­no d’arte 22 – 23 (2014), 135 – 50.

Pieter van den Brink and Jaap van der Veen. Jacob Backer (1608/9 – 1651). Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, and Suer­mondt-Lud­wig-Muse­um, Aachen, 2008 – 09.

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Peter Schat­born. Dutch Fig­ure Draw­ings from the Sev­en­teenth Cen­tu­ry. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, and Nation­al Gallery of Art, Wash­ing­ton, 1981 – 82.

J.W. Niemei­jer. De verza­mel­ing van Bernard Houthakker. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, 1964.

L.C.J. Frerichs and Peter Schat­born. De Verza­mel­ing van H. van Leeuwen. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, 1975 – 76.

Eddy de Jongh. Tot Ler­ing en Ver­maak. Exh. cat. Rijksmu­se­um, Ams­ter­dam, 1976.

M.L. Wurf­bain and W.L. van de Water­ing. Jan van Goyen 1596 – 1656: Con­quest of Space. Exh. cat. Water­man Gallery, Ams­ter­dam, 1981.

Pieter Schat­born and Eva Orn­stein-van Sloten. Bij Rem­brandt in de leer / Rem­brandt as teacher. Exh. cat. Muse­um het Rem­brandthuis, Ams­ter­dam, 1984 – 85.

Peter Schat­born, with con­tri­bu­tions by Eva Orn­stein­van Sloten. Jan Lievens: Prenten & Tekenin­gen. Exh. cat. Muse­um het Rem­brandthuis, Ams­ter­dam, 1988 – 89.

J.F. Hei­jbroek, ed. De verza­mel­ing van mr. Carel Vos­maer (1826 – 1888). Exh. cat. Ams­ter­dam, Rijksmu­se­um, 1989.

Roelof van Gelder and Jan van der Waals. Een werel­dreiziger op papi­er: De atlas van Lau­rens van der Hem (1621 – 1678). Exh. cat. Konin­klijk Paleis te Ams­ter­dam, Ams­ter­dam, 1992.

Mar­i­jn Schapel­houman and Peter Schat­born. Tekenin­gen van Oude Meesters: De verza­mel­ing Jacobus A. Klaver. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, 1993.

Ger Lui­jten et al., eds. Dawn of the Gold­en Age: North­ern Nether­lan­dish Art 1580 – 1620. Exh. cat. Rijksmu­se­um, Ams­ter­dam, 1993 – 94.

Ingrid Oud, Michiel Jonker, and Mar­i­jn Schapel­houman. In de ban van Ital­ië: Tekenin­gen uit een Ams­ter­damse verza­mel­ing. Exh. cat. Ams­ter­dams His­torisch Muse­um, Ams­ter­dam, 1995.

Eddy de Jongh and Ger Lui­jten. Mir­ror of Every­day Life: Genre prints in the Nether­lands 1550 – 1700. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, 1997.

Bob van den Boogert et al. Goethe & Rem­brandt: Tekenin­gen uit Weimar. Exh. cat. Muse­um het Rem­brandthuis, Ams­ter­dam, 1999.

Peter Schat­born, with an essay by Judith Ver­berne. Drawn to Warmth: 17th-cen­tu­ry Dutch artists in Italy. Exh. cat. Rijksmu­se­um, Ams­ter­dam, 2001.

Holm Bev­ers. Rem­brandt Draw­ings from the Berlin Kupfer­stichk­abi­nett. Exh. cat. Rem­brandt House Muse­um, Ams­ter­dam, 2007.

Annemarie Ste­fes, Leonore van Sloten, and Leonoor van Oost­erzee. Teke­nen in Rem­brandts tijd: Meester­w­erken uit de Ham­burg­er Kun­sthalle. Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, 2012.

Peter Schat­born and Leonore van Sloten. Old Draw­ings, New Names: Rem­brandt and His Con­tem­po­raries. Exh. cat., Rem­brandt House, Ams­ter­dam, 2014.

David de Witt, Leonore van Sloten, and Jaap van der Veen. Rem­brandt’s Late Pupils: Study­ing Under a Genius. Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, 2015.

Judith Noor­man and David de Witt, eds. Rembrandt’s Naked Truth: Draw­ing Nude Mod­els in the Gold­en Age. Exh. cat. Rem­brandt House Muse­um, Ams­ter­dam, 2016.

Nor­bert Mid­delkoop, ed. Fer­di­nand Bol and Govert Flinck: Rembrandt’s Mas­ter Pupils. Exh. cat. Muse­um het Rem­brandthuis, Ams­ter­dam, and Ams­ter­dam Muse­um, Ams­ter­dam, 2017 – 18.

Epco Runia and David de Witt, eds. Rembrandt’s Social Net­work: Fam­i­ly Friends and Acquain­tances. Exh. cat. Muse­um Het Rem­brandthuis, Ams­ter­dam, 2019.

Peter C. Sut­ton et al. Mas­ters of 17th-Cen­tu­ry Dutch Land­scape Paint­ing. Exh. cat. Rijksmu­se­um, Ams­ter­dam, Muse­um of Fine Arts, Boston, and Philadel­phia Muse­um of Art, Philadel­phia, 1987 – 88.

Huigen Leeflang and Ger Lui­jten et al. Hen­drick Goltz­ius (1558 – 1617): Tekenin­gen, Prenten en Schilder­i­jen. Exh. cat. Rijksmu­se­um, Ams­ter­dam, Met­ro­pol­i­tan Muse­um of Art, New York, and Tole­do Muse­um of Art, Tole­do (Ohio), 2003.

William W. Robin­son and Peter Schat­born. Sev­en­teenth-Cen­tu­ry Dutch Draw­ings: A Selec­tion from the Maida and George Abrams Col­lec­tion. Exh. cat. Rijk­sprentenk­abi­net, Rijksmu­se­um, Ams­ter­dam, Graphis­che Samm­lung Alberti­na, Vien­na, Pier­pont Mor­gan Library, New York, and Fogg Art Muse­um, Har­vard Uni­ver­si­ty, Cam­bridge, 1991 – 92.

Susan Ander­son. ​“The Library of Cor­nelis Dusart: Between Artist and Gen­tle­man.” Oud Hol­land 123:2 (2010), 133 – 65.

Susan Ander­son. ​“A Draw­ing by Cor­nelis Dusart in the Fogg: Copy­ing and Trans­for­ma­tion.” Mas­ter Draw­ings 53:4 (2015), 471 – 76.

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Carl Depauw and Ger Lui­jten et al. Antho­ny van Dyck as a print­mak­er. Exh. cat. Muse­um Plan­tin-More­tus, Antwerp, and Rijksmu­se­um, Ams­ter­dam, 1999 – 2000.

Karel Moens and Iris Kock­el­bergh. Muziek & grafiek: Burg­er­moraal en muziek in de 16de- en 17de-eeuwse Ned­er­lan­den. Exh. cat. Hes­sen­huis, Antwerp, 1994.

Valérie Her­re­mans et al. Voor­beeldige busten: Het borst­beeld in de Ned­er­lan­den, 1600 – 1800. Exh cat. Konin­klijk Muse­um voor Schone Kun­sten, Antwerp, 2008.

Col­lec­tie H. van Leeuwen te Ams­ter­dam: Tekenin­gen van 17e – 19e eeuw. Exh. cat. Gemeen­te­mu­se­um, Arn­hem, 1958.

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Hans-Ulrich Beck. ​“Der unbekan­nte Zeich­nungssamm­ler Lugt 2986 b iden­ti­fiziert: Jacob Hel­molt in Haar­lem.” Oud Hol­land 107:4 (1993), 372 – 77.

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Felix Beck­er. Handze­ich­nun­gen hol­ländis­ch­er Meis­ter aus der Samm­lung Dr. C. Hof­st­ede de Groot im Haag. Neue Folge. Leipzig: Bern­hard Tauch­nitz, 1923.

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Pieter Bies­boer. Review of Cor­nelis Vroom: Marine and Land­scape Artist by George Keyes. Simi­o­lus 10:3/4 (1978– 79), 207 – 10.

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Jonathan Bikker. Willem Drost (1633 – 1659): A Rem­brandt pupil in Ams­ter­dam and Venice. New Haven: Yale Uni­ver­si­ty Press, 2005.

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Jan Blanc. ​“Sen­si­ble Natures: Allart van Everdin­gen and the Tra­di­tion of Sub­lime Land­scape in Sev­en­teenth-Cen­tu­ry Dutch Paint­ing.” Jour­nal of the His­to­ri­ans of Nether­lan­dish Art 8:2 (2016). DOI: 10.5092/ jhna.2016.8.2.4.

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Lau­rens J. Bol. Die hol­ländis­che Marine­malerei des 17. Jahrhun­derts. Braun­schweig: Klinkhardt & Bier­mann, 1973.

Jaap Bolten. Groninger Muse­um voor Stad en Lande: Dutch Draw­ings from the Col­lec­tion of Dr C. Hof­st­ede de Groot. Utrecht: A. Oost­hoek, 1967.

Jaap Bolten. Method and Prac­tice: Dutch and Flem­ish Draw­ing Books 1600 – 1750. Lan­dau: Edi­tion PVA, 1985.

Jaap Bolten. Oude Tekenin­gen van het Prentenk­abi­net der Rijk­suni­ver­siteit te Lei­den. The Hague & Ams­ter­dam: Rijks­di­enst Beeldende Kunst, 1985.

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Jaap Bolten. ​“The Draw­ings of Abra­ham Bloe­maert: A Sup­ple­ment.” Mas­ter Draw­ings 55:1 (2017), 3 – 120.

Jaap Bolten. ​“Abra­ham Bloe­maert and the con­cept of real­i­ty.” Delin­eav­it et Sculp­sit 41 (2017), 48 – 52.

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Mat­tie Boom et al. ​“Print Room Acqui­si­tions.” Rijksmu­se­um Bul­letin 68:4 (2020), 366 – 98.

K.G. Boon. Nether­lan­dish Draw­ings of the Fif­teenth and Six­teenth Cen­turies in the Rijksmu­se­um. 2 vols. The Hague: Gov­ern­ment Print­ing Office, 1978.

Karel G. Boon. The Nether­lan­dish and Ger­man Draw­ings of the XVth and XVIth Cen­turies of the Frits Lugt Col­lec­tion. 3 vols. Paris: Insti­tut Néer­landais, 1992.

Clif­ford S. Ack­ley et al. Rembrandt’s Jour­ney: Painter, Drafts­man, Etch­er. Exh. cat. Muse­um of Fine Arts, Boston, and Art Insti­tute of Chica­go, Chica­go, 2003 – 04.

Clif­ford S. Ack­ley. Print­mak­ing in the Age of Rem­brandt. Exh. cat. Boston Muse­um of Fine Arts, Boston, and St. Louis Art Muse­um, St. Louis, 1980 – 81.

Rüdi­ger Kless­mann, ed. Jan Lievens: Ein Maler im Schat­ten Rem­brandts. Exh cat. Her­zog Anton Ulrich-Muse­um, Braun­schweig, 1979.

Abra­ham Bredius. ​“Kun­stkri­tiek der XVIIe eeuw.” Oud Hol­land 7 (1889), 41 – 44.

Abra­ham Bredius. ​“De schilder Johannes van de Cap­pelle.” Oud Hol­land 10:1 (1892), 26 – 40.

Abra­ham Bredius. ​“Bol’s Kun­stschat­ten.” Oud Hol­land 28:4 (1910), 233 – 38.

Abra­ham Bredius, with the col­lab­o­ra­tion of Otto Hirschmann. Kün­stler-Inventare: Urkun­den zur Geschichte der hol­ländis­che Kunst der XVIten, XVI­Iten und XVI­I­Iten Jahrhun­derts. 7 vols. The Hague: Mar­t­i­nus Nijhoff, 1915 – 22.

A. Bredius. ​“Een en ander over Her­man Nauwincx.” Oud Hol­land 58:1 (1941), 18 – 22.

Gün­ter Busch, Wern­er Sumows­ki, and Mina Gre­gori. Handze­ich­nun­gen alter Meis­ter aus Schweiz­er Pri­vatbe­sitz. Exh. cat. Kun­sthalle, Bre­men, and Kun­sthaus, Zürich, 1967.

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Ben Broos. ​“Improv­ing and Fin­ish­ing Old Mas­ter Draw­ings: An Art in Itself.” Hoog­st­ed­er-Nau­mann Mer­cury 8 (1989), 34 – 55.

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